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Search results

Geerdes SY77 Softworkstation

Review | Music Technology, Jan 1991
SY77 Editor/Librarian/Manager

The first of the software assists for editing and archiving on Yamaha's flagship SY77 comes from Germany. Ian Waugh breaks out the schnapps.

Guitar Guru

Feature | Making Music, Aug 1987

Opcode Vision

Review | Micro Music, Mar 1990

Akai S900 MIDI Digital Sampler

Review | In Tune, Jul 1986

Shredder

Group: One Two Tidings

News | One Two Testing, Nov 1985

news from the musical front

Advanced Music Synthesis

Feature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Feb 1982
Inside the Yamaha GS1 & GS2

This month's Advanced Music Synthesis explains why these digital synthesisers are 'very expensive and very good'

Bum, Gob and Tea

Feature | Topic: Humour | One Two Testing, Nov 1983

Just what have the Japanese done to the Engrish Ranguage?

Machines £500 to £1500

Group: Drum Machine Supplement

Feature | Topic: Buyer's Guide | International Musician & Recording World, Oct 1985

Music & Pictures - Part 6

Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, May 1986

Part 6: It's A Wrap! Composer/musician Robin Lumley packs away the manuscript paper, switches off the Steenbeck viewer and submits his final thoughts on writing music for films in this concluding episode of his series.

Feeling Free

Review | Sound On Sound, Dec 1991
Frohlich Freestyle Accompanist Software

Martin Russ gets to grips with Freestyle, an auto-accompaniment program with a winning combination of flexibility and customisation options.

Roland Boss SCC Sound Control Centre

Review | Music UK, Jul 1983

Computer Effects System wins by a knockout, our robot reports

Ablesure Hot Foot

Group: Quality Control

Review | Music Technology, Aug 1993
Dual port programmable MIDI remote controller

MIDI control from the ground up

Gibson Vs. The Future.

Feature | Topic: Design, Development & Manufacture | Music UK, Apr 1983
The Gibson Direction

Tony Bacon asks Vice-President tough questions on the guitar makers' future 41

Tascam 234 4-track

Review | One Two Testing, Dec 1983

Separateness reviewed.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Sep 1989
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

The Fairlight Explained - Part 9

Group: Computer Musician

Feature Series | Topic: Sequencing | Electronics & Music Maker, Jun 1985

Delving ever further into the Computer Musical Instrument from down-under, Jim Grant samples the delights of Page 9's real-time sequencer.

The New Master

Review | Sound On Sound, Mar 1992
Akai MX1000 Master Keyboard

Ease of programming and an optional plug-in piano sound board should ensure popularity for the Akai MX1000. Julian Colbeck explains why it makes all the difference.

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Glossary

Group: The MIDI Connection Supplement

Feature | Topic: Buyer's Guide | International Musician & Recording World, Nov 1985

Talking MIDI - Part 2

Feature Series | Topic: MIDI | Sound On Sound, Jan 1986

Who says you can't use those hi-fi DIN cables to connect all your MIDI gear together? This month, Jay Chapman takes a logical look at the hardware side of the Musical Instrument Digital Interface.

Roost SR100 Head & Cab

Review | Music UK, Apr 1983
Roost 100 Valve Head & 300W 4X12 Cab

ROOST SR100 Valve Top plus 4 x 12 cab: Bird's nest scoop! 28

Carlsbro Sherwood

Review | One Two Testing, Sep 1984

electro-acoustic combo

A Mother's Touch

Review | Sound On Sound, Mar 1989
Roland A50 Mother Keyboard

Roland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50.

Composers Pen

Review | Micro Music, Feb 1990

Paul Freeman gets composing with this notation package for the Amstrad

Sony D-55T Discman

Review | Sound On Sound, Oct 1986

Compact discs represent a superb source of high quality sounds for the samplist too lazy to sample their own. What's more, products like this D-55T CD player make the task even easier with their programmable auto-loop function. Paul Gilby explains...

 

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