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Geerdes SY77 SoftworkstationReview | Music Technology, Jan 1991SY77 Editor/Librarian/ManagerThe first of the software assists for editing and archiving on Yamaha's flagship SY77 comes from Germany. Ian Waugh breaks out the schnapps. |
Guitar GuruFeature | Making Music, Aug 1987 |
Opcode VisionReview | Micro Music, Mar 1990 |
Akai S900 MIDI Digital SamplerReview | In Tune, Jul 1986 |
Advanced Music SynthesisFeature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Feb 1982Inside the Yamaha GS1 & GS2This month's Advanced Music Synthesis explains why these digital synthesisers are 'very expensive and very good' |
Bum, Gob and TeaFeature | Topic: Humour | One Two Testing, Nov 1983Just what have the Japanese done to the Engrish Ranguage? |
Machines £500 to £1500Group: Drum Machine Supplement |
Music & Pictures - Part 6Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, May 1986Part 6: It's A Wrap! Composer/musician Robin Lumley packs away the manuscript paper, switches off the Steenbeck viewer and submits his final thoughts on writing music for films in this concluding episode of his series. |
Feeling FreeReview | Sound On Sound, Dec 1991Frohlich Freestyle Accompanist SoftwareMartin Russ gets to grips with Freestyle, an auto-accompaniment program with a winning combination of flexibility and customisation options. |
Roland Boss SCC Sound Control CentreReview | Music UK, Jul 1983Computer Effects System wins by a knockout, our robot reports |
Ablesure Hot FootGroup: Quality ControlDual port programmable MIDI remote controllerMIDI control from the ground up |
Gibson Vs. The Future.Feature | Topic: Design, Development & Manufacture | Music UK, Apr 1983The Gibson DirectionTony Bacon asks Vice-President tough questions on the guitar makers' future 41 |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1989Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
The Fairlight Explained - Part 9Group: Computer MusicianDelving ever further into the Computer Musical Instrument from down-under, Jim Grant samples the delights of Page 9's real-time sequencer. |
The New MasterReview | Sound On Sound, Mar 1992Akai MX1000 Master KeyboardEase of programming and an optional plug-in piano sound board should ensure popularity for the Akai MX1000. Julian Colbeck explains why it makes all the difference. |
Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
GlossaryGroup: The MIDI Connection Supplement |
Talking MIDI - Part 2Feature Series | Topic: MIDI | Sound On Sound, Jan 1986Who says you can't use those hi-fi DIN cables to connect all your MIDI gear together? This month, Jay Chapman takes a logical look at the hardware side of the Musical Instrument Digital Interface. |
Roost SR100 Head & CabReview | Music UK, Apr 1983Roost 100 Valve Head & 300W 4X12 CabROOST SR100 Valve Top plus 4 x 12 cab: Bird's nest scoop! 28 |
A Mother's TouchReview | Sound On Sound, Mar 1989Roland A50 Mother KeyboardRoland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50. |
Composers PenReview | Micro Music, Feb 1990Paul Freeman gets composing with this notation package for the Amstrad |
Sony D-55T DiscmanReview | Sound On Sound, Oct 1986Compact discs represent a superb source of high quality sounds for the samplist too lazy to sample their own. What's more, products like this D-55T CD player make the task even easier with their programmable auto-loop function. Paul Gilby explains... |