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Home TapingGroup: Recording WorldJim MurphyRural recordee in Farmhouse sex romp with raving reporter |
Digital DanceReview | Electronics & Music Maker, Mar 1986Lexicon PCM70Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain. |
Mellow and Full BodiedFeature | Topic: Buyer's Guide, History / Culture | One Two Testing, May 1985life histories for Gibsons jazz guitars |
Soundcraft 200 DeltaReview | Sound On Sound, Nov 1989Modular Mixing ConsoleDoes Soundcraft's new 200 Delta mixer succeed in being all things to all men? David Mellor finds out... |
Akai DD1000Review | Music Technology, Apr 1991Magneto-optical Disk RecorderAkai's DD1000 Magneto-optical recorder applies state-of-the-art technology to four-track dedicated digital editing. Vic Lennard sees the light at the end of the sample. |
AZ-TEC Micro-Module MicrophoneReview | Home & Studio Recording, Jun 1984 |
Fender StarcasterReview | Sound International, Jul 1978Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters). |
NewsNews | International Musician & Recording World, Feb 1986It's the latest. It's the greatest. It's the mostest. Oops |
Making The Right ConnectionReview | Sound On Sound, Aug 1988MX8 MIDI Patchbay/ProcessorWith so many low-cost MIDI-equipped units around, the days when you could make do with a Thru box and a few cables are long gone. A MIDI patchbay is now an essential purchase, and one of the best is the MX8 MIDI Patchbay/Processor from Digital Music Corp. Tony Hastings checks it out. |
Dr.T's CopyistReview | Sound On Sound, May 1990Music Transcription ProgramWriting out full scores and individual parts for fellow musicians used to be a slavish occupation for a skilled select few. Now, with the benefit of low cost computers and music transcription programs like this one from DR.T, almost anyone can produce professional results that don't cost the earth. Amanda Stuart explores. |
NewsNews | Making Music, Feb 1987And what news there is. A special preview on the Frankfurt fair, lifting the veil on 1987's most important gear. |
2 of a KindReview | Home & Studio Recording, Oct 1986AKG K240DF headphones and AKG C535EB micMike Skeet gives us his opinion on these monitor quality headphones. Are they really an alternative to mixing on speakers? Next he takes a look at the C535EB microphone. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Mar 1986Additions To TraditionsTony Mills rips the lid off the latest in the land of the electrode; updates for Yamaha's CX5M, Greengate's DS:3, and the ever-popular Speccy. |
Book ReviewsReview | Electronics & Music Maker, Nov 1982 |
The Next StepReview | Home & Studio Recording, Dec 1986MTR 6:4:2A budget 6:4:2 mixer that is neither short on features nor costs the earth. |
The Help FileFeedback | The Mix, Dec 1994Where everything clicksIf it doesn’t work, it’s in the help file |
Live End - Part 2Feature Series | Topic: Live | Sound On Sound, Jun 1993National Music DayPart 2: Mike Lethby prepares for National Music Day. |
AmbisonicsFeature | Topic: Acoustics, Microphones | Electronics & Music Maker, Apr 1983Full of Audio PromiseModern developments in audio reproduction |
Hybrid Arts Ludwig SoftwareReview | Home & Studio Recording, Mar 1989Software for the Atari STThis program could clear a few creative cobwebs and give your music a bit of a boost. |
Technically SpeakingFeedback | Music Technology, Jan 1993 |
Steinberg SMP-24Review | Sound On Sound, May 1987SMPTE/MIDI ProcessorFrom soft to hard - Steinberg's latest package is a hardware combination of MIDI patchbay, merger, synchroniser and SMPTE reader rolled into one. It operates as a stand-alone unit or in conjunction with an Atari ST micro. But is it all that it's cracked up to be? Mark Badger investigates. |