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Nile StyleInterview | International Musician & Recording World, Jun 1986Super-guitarist, super-producer and Superstar, Nile Rodgers must be doing something right. Our exclusive, in-depth interview with the man and his production team reveals all... |
The Synthetic Realism Of Jean-Michel JarreInterview | Sound On Sound, May 1990Since heralding in a new musical era in 1976 with the release of his innovative synthesizer-based opus, 'Oxygene', Jean-Michel Jarre has gone on to sell almost 34 million records worldwide. Currently embarking on a new album project, as well as planning a series of concerts to welcome in the new decade, Richard Buskin visited Jarre in his home studio to talk about the technology behind his music. |
Remix, Remake, RemodelInterview | Music Technology, Jul 1987Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs. |
Shredder Goes To FrankfurtShow Report | One Two Testing, Apr 1985unbeatable coverage of all the new gear at the year's most important instrument show. Don't buy ANYTHING until you've read it. |
The Shape of Things to ComeNews | Sound On Sound, Aug 1987This month's round-up includes new products launched at the APRS and NAMM shows. |
Roland MC500 MicroComposerUser Report | Music Technology, Feb 1987It's been available for well under a year, but already, Roland's latest MicroComposer is establishing itself as something of an industry standard. Steve Howell gives a comprehensive user's eye view... |
West Coast StoryShow Report | Music Technology, Mar 1987Winter NAMM 1987Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been... |
In and Out of OrderInterview | International Musician & Recording World, Oct 1985Peter Hook gives a breakdown on broken down gear and the lowdown on Lowlife. |
Using The Fostex 4050 AutolocatorReview | Sound On Sound, Apr 1988Fostex’s SMPTE reading/writing, MIDI syncing, auto-locating, remote transport control unit recently underwent a serious internal re-examination. Ed Jones assesses the newly implemented features and describes their practical application. |
Microskill AS32Review | Electronics & Music Maker, Jul 1985All-digital Programmable PolysynthA British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer. |
Mister MIDIInterview | Sound On Sound, Apr 1989Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use. |
Production LineInterview | Music Technology, Jun 1987The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology. |
Technology's ChampionInterview | Electronics & Music Maker, Jun 1986In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents. |
Perfect BeatInterview | Sound On Sound, Feb 1986As their hit single 'Perfect Beat' proves, Bronski Beat are more than capable of producing enjoyable, dynamic electronic pop. Mark Jenkins talks in depth to Bronski's Larry Steinbachek about how they encompass modern technology in their recordings and live performances. |
Tom on TechnologyInterview | Home & Studio Recording, Jul 1986From PCMs to PZMsTom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason. |
The Secret Of My SuccessInterview | Sound On Sound, Apr 1991UK chart success may have been elusive of late but Howard Jones' continued popularity in the States has brought its rewards — an SSL-equipped 48-track home studio. Interview by Paul Tingen. |
PatchworkFeature | Music Technology, Jul 1991Master Bits Sampling Collection 500, 600, 700 and 800When your music cries out for the sounds of synths that you haven't got, your sampler can be your best friend. Tim Goodyer samples four CDs packed with the sounds of synths, drum machines and even samplers. |
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. |
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
The NewsShow Report | Making Music, Sep 1986"...comes back from Hammersmith."What we saw at the big fair, including famous gear and famous people. |
NAMM ReportShow Report | Music Technology, Aug 1987In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell. |
Frankfurt Review - This Year's ModelsShow Report | International Musician & Recording World, Apr 1985A glimpse of the equipment you could well be buying in the forthcoming year |
News - Show SpecialShow Report | International Musician & Recording World, Sep 1986This month, we've devoted all of our news pages to two special show reports; from Chicago's NAMM fest, and London's APRS — the products which'll be making next year's news... |
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