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Search results
 Francis MonkmanInterview | Electronics & Music Maker, Mar 1983From Curved Air to Sky, and beyond with the Synclavier II |
 Take it to the Max!Group: Control RoomBBE Sonic MaximiserModular mix enhancement |
 The Rhythm SectionInterview | Sound International, Jan 1979Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock. |
Rock Around the ClockFeature | Topic: Recording, Synthesis & Sound Design | Home & Studio Recording, Feb 1986An interesting approach to experimental music using clocks as a basis for rhythm generation. Digital watches are right out. |
 4-TopReview | Sound On Sound, Nov 1993Soundcraft Spirit Folio 4 Mixing ConsoleSoundcraft's ultra quiet mixer goes multitrack. |
 Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
 Building a Home Recording StudioFeature | Topic: Acoustics, Construction / Build, Home Studio | Home & Studio Recording, Sep 1983Acoustics |
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 Making Your Own Video - Part 1Feature Series | Topic: Video / Film / Picture | Sound On Sound, Dec 1991Part 1: The ShootWe all know how modern cost-effective musical instruments and recording equipment allow professional standard tapes to be produced at home. But does the similar trend in video gear mean that the average musician can now shoot his own promo? Paul Wiffen and Darrin Williamson thought so. This is their story. |
 A Nice PairReview | Sound On Sound, Feb 1987Beyer microphonesWant to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range. |
 Silence Is GoldenInterview | Music Technology, Jan 1987You almost certainly haven't heard of him, but this man is one of the most inventive composers, arrangers and producers in modern Japan. Tim Goodyer listens to what he has to say. |
 Maths, Music & MotionFeature | Topic: Effects Processing | Music Technology, Dec 1993Expert tips on fine-tuning your effects in exact time with your BPMs. |
 Natural synthesisGroup: Control RoomYamaha VL1mVirtual synthesis in a box |
 Wally BadarouInterview | Sound On Sound, Dec 1990Creating The FutureAnyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in. |
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 Roland SDE-2500Group: Recording WorldStudio TestCurtis Schwartz expands his programming power and refines his live sound with the Roland SDE-2500 MIDI Digital Delay |
 The Studio DominatorReview | Home & Studio Recording, May 1986Aphex DominatorIs this the ultimate limiter? |
 DiscotekFeature | Topic: Electronics / Build, Live | Electronics & Music Maker, Oct 1981Equalisation and metering for disco and stage. |
 Practical PA - Part 1Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996Part 1: Introduction To PA |
 The Old SchoolInterview | Music Technology, Oct 1989Someone whose career in music began before the invention of the tape recorder will have witnessed a revolution in music technology. Peter Ridsdale shares the experiences of a man who has spent a lifetime composing for pictures. |
 GT Electronics 'Studio Tube Pre-Amp'Review | In Tune, Dec 1986 |
 PA Column: Elton JohnFeature | Topic: Live | International Musician & Recording World, Feb 1986If you saw an awkward figure stumbling between the stacks, that was Jim Betteridge |
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