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Alesis Microverb IIIReview | Music Technology, Mar 1991Reverb UnitNow in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb. |
Bass: The Final FrontierReview | Recording Musician, Nov 1992Richard Allan RA8 Monitors and RA12 Sub-Bass UnitsBy combining two of their compact RA8 monitors with a pair of sub-bass units, RA have come up with an earth-shaking system at a realistic price. |
Mission control - Part 2Group: Control RoomYamaha ProMix 01The second part of our in-depth review |
Roland R8Review | Music Technology, Feb 1989Human Rhythm ComposerSince the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer". |
Blue MoodsInterview | Sound On Sound, Dec 1989In 1984, The Blue Nile released an album widely hailed as the finest debut LP of recent years. After five years of silence, they've produced another masterpiece in Hats. Paul Ireson talks to the men behind two of the decade's finest records. |
The Rhythm SectionInterview | Sound International, Jun 1978No doubting the Thomases from Elvis Costello and the Attractions. |
BMF Product NewsGroup: Roland Newslink - Autumn 1986Four pages packed with news hot from BMF |
Steinberg Cubase - Part 1Review Series | Music Technology, Aug 1989Atari ST SoftwareThey gave us the first industry-standard sequencing software for the Atari ST in Pro24, now Steinberg are making a second bid for Atari domination with Cubase. Nigel Lord says "part two next month... |
Realistic Arrangements: Vocals - Part 2Feature Series | Topic: Arranging / Songwriting | Home & Studio Recording, Mar 1989Our series continues with the voice, whether synthetic, sampled or the real thing. |
Roland JV-1000Group: Quality ControlMusic workstationKeyboard-driven control |
NAMM ReportShow Report | Music Technology, Aug 1987In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell. |
Monsters of RockReview | Recording Musician, Oct 1992Crate, Hughes & Kettner, ART Guitar PreampsWe take the H&K Metal Master, ART Powerplant, and Crate TDP recording guitar preamps into the studio in search of that elusive valve sound. |
Fostex MN-15 Mixer/CompressorReview | Home & Studio Recording, Sep 1984 |
On The Beat - Part 19Feature Series | Topic: Drum Programming | Music Technology, Apr 1991African RhythmsThe quest for the secrets of rhythm programming continues - this month it takes the intrepid Nigel Lord and his faithful drum machine into the heart of Africa. |
Sound ReadingReview | Home & Studio Recording, Jan 1985A round-up of the best recording-related books on the market. |
From Necks To NothingFeature | Making Music, Apr 1987Find out everything you need to know about life on and around the average guitar neck |
Sampling Techniques - Part 4Feature Series | Topic: Sampling | Sound On Sound, Mar 1993How To Get The Most From Your Sampler |
Roland System 100MFeature | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1984A personal look at one of the few modular synths available by Ian Boddy who examines, in depth, the systems capabilities. |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |
Opcode Galaxy Plus EditorsReview | Sound On Sound, Oct 1991Tell your Mac what it's hooked up to! Save the contents of all your MIDI devices with one mouse movement! Edit 47 different devices from the comfort of your armchair! Kendall Wrightson examines Opcode's new Mac system software and the latest in editor/librarians. |
Kurzweil K1200 ProfessionalReview | Music Technology, Jan 1992Digital KeyboardNew UK distribution and a new synth bring the Kurzweil name back into the pages of MT. Simon Trask rediscovers Kurzweil quality and playability with their K1200. |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
ScannersNews | Music Technology, Dec 1993Picking up the signals from the world of music and technology... |
Klone RangerReview | Electronics & Music Maker, Sep 1985MultiKlone KitJust because an electronic drum kit is (very) cheap, doesn't mean to say it isn't worth hearing. So says Paul White, who's played with the best of them. |