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Roland SBX-10 Sync Box/Converter

Group: Recording World

Review | International Musician & Recording World, Jul 1986
Studio Test

Curtis Schwartz meets The Master Controller and lives to tell the tale

How to Set Up a Home Studio - Part 2

Feature Series | Topic: Home Studio, Maintenance / Repair / Modification | Sound On Sound, Jan 1989
Cables

Part 2: Cabling. David Mellor reveals all the prospective home studio owner needs to know about cables.

Music Technology Introduction

Feature | Topic: Advertisement Feature | Electronics & Music Maker, Oct 1986

A full run-down on what's happening to E&MM next month, how it'll look, and why we're doing it.

TurboSynth Software

Group: Review

Review | Phaze 1, Nov 1988

Digital diplomat

Group: Control Room

Review | The Mix, May 1995
Passport Alchemy 3

Peace-broking sampling software

Symetrix 525

Review | Home & Studio Recording, Feb 1986
Dual Compressor/limiter Gate

A compressor/limiter with programme dependent characteristics.

Midi By Example - Part 8

Feature Series | Topic: MIDI | Music Technology, Apr 1993

Still trapped in the MIDI maze? Never fear - Vic Lennard has found another way Out

Yello - The Colour of Art

Interview | Music Technology, Jan 1989

Dieter Meier is a writer, painter, performance artist and an ex-professional gambler; he's also the face and voice in front of one of the most influential bands of the '80s. Tim Goodyer joins the Swiss race.

SPL Stereo Vitalizer

Review | Sound On Sound, Dec 1993
Psychoacoustic Enhancer

Dream Sequence

Interview | Electronics & Music Maker, Dec 1984

Tangerine Dream give a piece of their collective musical mind to Matthew Vosburgh, who also took the pictures.

Clavia Ddrum 2

Review | Music Technology, Jul 1988
Digital Drum Kit

First there were Ddrums... Nicholas "animal" Howland returns to his skin-bashing roots to test a Swedish electronic kit that aims to replace its acoustic relative.

Cagey, Canny, Krafty

Interview | Music Technology, Jul 1993

Never mind avoiding presets and programming your own patches... how about rebuilding the whole damn synth? Richard James - aka Polygon Window, Caustic Window, Diceman, Soit PP, Blue Calx, AFX and The Aphex Twin - isn’t happy with his hardware till he’s had the toolbox to it. Phil Ward enters the twilight zone of the lad from Cornwall who’s spearheading the ambient onslaught.

Gary Moore

Interview | Music UK, Jan 1983

Talks guitars, amps and playing to Tony Bacon

JHS Encore EG50

Review | International Musician & Recording World, Mar 1986
GuitarCheck

Busy Dave Burrluck, back again to bend a string or two on the new JHS. Encore!

Cutec FX500 Flanger/Delay

Review | Home & Studio Recording, May 1985
Rack Mounting Versatility from Cutec

Loved

Interview | Music Technology, Jan 1990
IN THE LAND OF THE RISING SUN

From indie rock to sampled success - this band have used technology to change their sound and get themselves into the charts. David Bradwell talks technology, samples and football to Beloved people.

Music Maker Equipment Scene

News | Electronics & Music Maker, Nov 1982

Modes of Confusion

Feature | Topic: MIDI | Music Technology, Mar 1987

Chris Meyer attempts to unravel the mysteries of MIDI's various operating modes, and dispels the myth that some recent instruments have new ones built into them.

Bit By Bit MIDIDrummer

Review | Music Technology, Jun 1989
Software for the Atari ST

If you're currently using a software sequencer you'll almost certainly remember the days of drum machine programming as sublimely simple. Ian Waugh investigates a program that returns to basics.

One In A M'rillion

Interview | Making Music, Aug 1987

Yamaha RX8

Review | Music Technology, Jun 1989
Digital Rhythm Programmer

Two years on from their impressive, RX5 drum machine, Yamaha have slimmed down their flagship to give us an affordable 16-bit beat box. Chris Many reckons it could be a hit.

Alembic

Review | Sound International, Aug 1978

Alembic is a word guaranteed to set bassists' teeth a-gnashing with envy. Steve York supplies the necessary.

US Audio Gatex

Feature | Sound On Sound, May 1986

With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio.

Ramsa Compact Sound Monitors

Group: Recording World

Review | International Musician & Recording World, Jun 1986
Studio Test

A new name to challenge the Auratones of this world? Curtis Schwartz reports

House Masters

Interview | Music Technology, Mar 1988

House from home. Nicholas Rowland talks to a British house band who have developed their music from television advertising jingles to chart success.

 

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