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The Gentle Art Of EQ

Feature | Topic: Mixing, Sound Fundamentals | Recording Musician, Sep 1992

This month's Masterclass looks at the way equalisation can be used to creatively enhance your music.

Yamaha EMT10

Review | Sound On Sound, Oct 1988
AWM Expander

Every so often a product comes along which changes everyone's idea of what they can expect at a certain price. Yamaha’s new £250 box sets a new standard in price/performance for sampled piano (and other) sounds. Paul Wiffen gets excited enough to spend his own money!

Electro-Music Engineer

Feature | Topic: Electronics / Build | Electronics & Music Maker, Jun 1982
Transistor Power Amplifier Surgery

Talking Pictures

Feature | Topic: Video / Film / Picture | Home & Studio Recording, May 1986

Martin Sheehan explains the workings of audio/visual slide productions.

The Producers

Group: Recording World

Interview | International Musician & Recording World, Jan 1985

Chas de Whalley records the thoughts of David Bowie's young, gifted and black producer, Derek Bramble

Scanners

News | Music Technology, Apr 1994

Lookout... it's coming this way!

The MIDI 1.0 Specification

Group: MIDI Supplement - Part One

Feature | Topic: MIDI | Electronics & Music Maker, May 1984

The MIDI 1.0 specification, reprinted in full.

Ensoniq SQ80

Review | Music Technology, Feb 1988
Cross Wave Synthesiser

The successor to Ensoniq's popular ESQ1 expands on the sound and sequencing facilities and adds polyphonic aftertouch to the ESQ's spec. Simon Trask goes in search of the performance synthesiser.

Speech Synthesis - Jabberwocky!

Feature | Topic: Sound Fundamentals, Synthesis & Sound Design | Electronics & Music Maker, Nov 1981
Advanced Music Synthesis

Alan Davies discusses electronic speech production and its applications.

MIDI Sequencer Project

Feature | Topic: Computing, Electronics / Build | Electronic Soundmaker & Computer Music, Jun 1985

Detailed Instructions on how to build your own ES&CM MIDI sequencer. (Software on tape).

Sample + Synthesis

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Nov 1991
Programming Clinic

Most of the current generation of digital synthesizers use a blend of sampling and synthesis techniques to produce their sounds — a powerful combination, but perhaps less easily understood than analogue synthesis. Synth guru Craig Anderton offers some hints and tips on how to get the best out of 'S+S' instruments.

Graveyard rave

Group: Sound Advice

Feature | Topic: Live, Music Business | The Mix, Oct 1994
Criminal Justice Bill

Lessons in law for ravers

Sync Explained

Feature | Topic: Syncronisation | Home & Studio Recording, Mar 1989

The title says it all...

ART Multiverb Alpha

Review | Music Technology, Jun 1992
Multi-fx Processor

In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.

Wilmslow Audio/Wharfedale E70 Speaker Kit

Feature | Home & Studio Recording, Jan 1984
Speakercraft Flat Pack Kit Assembly

Hints and tips on assembly

Hybrid Technology Music 2000 System

Review | Sound On Sound, Oct 1988

In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why.

Recording Techniques - Part 8

Feature Series | Topic: Recording | Sound On Sound, Jul 1990
Recording Drums

Part 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit.

HB Engraver

Review | Music Technology, Jul 1989
Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

Alesis 1622 Mixing Desk

Review | Music Technology, Jul 1990

Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance.

Casio DA7

Review | Music Technology, Feb 1991
Portable DAT Recorder

Casio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more.

The New Wave

Review | Sound On Sound, Feb 1992
Korg Wavestation A/D

Korg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Mar 1993
Hints, Tips & News From The World Of Music Software

MixMastery

Feature | Topic: Mixing | Phaze 1, May 1989

a novice engineer's guide to what all the knobs and switches on a mixing-desk do

A Handful Of Aces

Review | Home & Studio Recording, Apr 1986
Aces B1816

A cost effective in-line mixing console aimed at the budget 16-track user.

An Ultra VCO From The 4720

Feature | Topic: Electronics / Build | Polyphony, Feb 1978

 

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