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360 Systems Pro MIDI BassReview | Music Technology, Feb 1988Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler. |
We Can't Go On Metering Like This!Feature | Topic: Mixing, Recording | Home & Studio Recording, Feb 1986VU and PPM meters explained. |
Nemo Studio - Part 2Interview Series | Topic: Recording Studios | Sound International, Jan 1979Mr Papathanassiou leaps off the cover and speeds headlong to page 23. Pausing merely for an intake of breath he settles in his fave armchair and reads, 'Vangelis has superb keyboard technique...' And smiles. |
Synclavier II - Part 2Review Series | Electronics & Music Maker, Jun 1983A Real-time Performance System |
Drum Programming - Part 14Feature Series | Topic: Drum Programming | Sound On Sound, Jun 1993Going Live |
Anatomy Of A Studio - Part 2Feature Series | Topic: Home Studio, Recording Studios, Sound Fundamentals | Home & Studio Recording, Aug 1984Studio WiringStudio Wiring - how to interconnect all that equipment you've been buying. |
8201 Line MixerFeature | Topic: Electronics / Build | Electronics & Music Maker, Aug 1982A versatile free or rack mounting 8 into 2 low noise studio mixer with individual send, pan and level controls. Simple modular construction. |
Korg SDD1000 Digital DelayReview | Home & Studio Recording, Feb 1985 |
Steinberg Cubase - Part 1Review Series | Music Technology, Aug 1989Atari ST SoftwareThey gave us the first industry-standard sequencing software for the Atari ST in Pro24, now Steinberg are making a second bid for Atari domination with Cubase. Nigel Lord says "part two next month... |
Music By Design - Part 2Feature Series | Topic: Algorythmic Composition | Music Technology, Sep 1989PART 2: SEQUENCING AND NOTATIONIn the concluding part of this investigation into computer-assisted composition, Greg Truckell cells on Dr T's KCS to compose a tune. |
Sequential Studio 440Review | Music Technology, Feb 1987Sampling Drum Machine/SequencerAfter last month's In Brief preview, Paul Wiffen gets his hands on a first production model of Sequential's new all-in-one drum machine, sampler and sequencer. Is it the master of all trades? |
Making the Most of... - Part 5Feature Series | Topic: Recording | Home & Studio Recording, Sep 1985Drum Machines and Electronic PercussionMartin Sheehan looks at recording drum machines and electronic percussion |
Dream StateInterview | Music Technology, Jan 1991After inspiring a generation of experimental musicians to explore synthetic soundscapes, Tangerine Dream found new relevance in 1990's ambient house movement. Simon Trask enters the Dream state. |
Multitimbrality Made SimpleFeature | Topic: MIDI | Music Technology, Nov 1991One persistent area of hi-tech confusion surrounds multitimbrality. Vic Lennard explains what it is, what it's for and what's wrong with it. |
Hinton MIDICGroup: Computer MusicianMIDI Hardware and Software for RS232 Interface StandardA MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself. |
TechTalk - Part 1Interview Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1985John Chowning, inventor of FM synthesis and the man indirectly responsible for Yamaha's DX synths, receives an interrogation from Simon Trask. In the event, our man scarcely gels a word in edgeways. |
Deeply CompressedReview | Sound On Sound, Nov 1986Drawmer LX20 expander/compressorDrawmer noise gates and compressors have become the undisputed industry standard in the field of sound recording, and their latest unit looks set to make it a hat-trick. The dual channel LX20 offers comprehensive compression/expansion facilities at a budget price. Engineer Gareth Stuart assesses its performance. |
E-Mu Systems EMAXReview | Sound On Sound, Jan 1987Digital sampling keyboardMuch rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out. |
Personalise Your Drum Machine SoundsFeature | Topic: Drum Programming, Mixing | Sound On Sound, Jun 1993Masterclass - Drum Machines |
Studio ErgonomicsFeature | Topic: Home Studio | Sound On Sound, Sep 1993Making Yourself At Home In The Studio |
Get Organised!Feature | Electronics & Music Maker, Mar 1981 |
MTR DNG-1 Dual GateReview | Home & Studio Recording, Jun 1986MTR have designed their own pro noise gate and it turns in a very convincing performance. |
Classic NouveauReview | Recording Musician, Aug 1992LA Audio Classic CompressorPaul White assesses LA's new compressor, which uses modern technology to emulate the sound of tube models. |