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Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1985The Power of the FloppyFeeling floppy? Tony Mills slips a disk into his drive |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |
Simmons MTMReview | International Musician & Recording World, Feb 1986RhythmCheckFuture perfect and future possibilities. Bob Henrit on Simmons' new trigger unit |
Steinberg AvalonReview | Music Technology, Dec 1989You've got the perfect S900 snare sample and you've just bought an Emulator III - you either start again or buy Avalon. Vic Lennard looks at a program which could become indispensable for sample editing and management. |
Live for the RecordFeature | Topic: Live, Recording | Sound International, Sep 1978How to record a cheap live album — an easy way out with direction courtesy Richard Elen. |
Radical RecordingFeature | Topic: Recording | Sound On Sound, May 1992You may be a whizz with the little black boxes, but how are you at recording real sounds and real performances? Wilf Smarties serves up a selection of tasty studio tricks. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, May 1984VocalsMore tips on recording vocals. |
Build It YourselfFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Jun 1984At last the instructions |
Get On The Right TrackFeature | Topic: Mixing, Recording | Home & Studio Recording, Mar 1985Leading new wave synthesist Ian Boddy explains the way he uses 'track sheets' when undertaking a recording. |
Return to Zero - Part 4Feature Series | Topic: Recording | Home & Studio Recording, May 1985Noise ProblemsJust when you thought noise was a thing of the past... Gremlins are back - in a studio near you. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Recording Techniques - Part 12Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others. |
Ready For Lift-OffInterview | Electronics & Music Maker, Apr 1986Is there more to Britain's latest megastars than a barrel-load of hype, a few jars of hair gel and a clever Giorgio Moroder production job? After talking to the band, Tim Goodyer thinks there is. |
Sonus MasterPieceReview | Music Technology, Nov 1987Software for the Atari STThe software catalogue for the Atari ST continues to grow. Ian Waugh checks out a sequencer package that may give Steinberg and Hybrid Arts serious competition. |
Effective Reverb - Part 2Feature Series | Topic: Effects Processing | Recording Musician, Apr 1993Drums and PercussionNowhere is the correct use of reverb more important than in the treatment of drum and percussion sounds. We reveal all — and we tell you a bit about reverb too. |
Buying On A Budget - Part 1Feature Series | Topic: Buyer's Guide | Music UK, Aug 1983Guitars For £150Begin with a Bargain — reckon a new guitar for less than £150? We show you how |
Lab Notes: MUS1Feature | Topic: Computing | Polyphony, Apr/May 1978With the New Miracle Ingredient - STG |
LettersFeedback | Polyphony, Nov/Dec 1978 |
Enhancing Your Roland MT32Feature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1988By combining plenty of different sounds with the built-in percussion voices and digital reverb, Roland's MT32 multitimbral expander makes the ideal add-on for any sequencer. But it really takes a software editing program to get the very best out of it. Brian Howarth shows you how. |
The Big Ten - 1983Group: The Big Ten |