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Shut Up! - Part 2

Feature Series | Topic: Acoustics, Construction / Build | In Tune, Feb 1986

Success in Soundproofing

Déjà view?

Group: Control Room

Review | The Mix, Sep 1994
Voyetra Audio View

PC sample editor

Steinberg Cubase v1.5

Review | Music Technology, Apr 1990
Software for the Atari ST

Meanwhile, at the other extreme of ST sequencing, Steinberg's Cubase program gains a real-time MIDI Manager and a large-format monitor. Nigel Lord touches a new base.

A Sample of Eastern Ingenuity

Review | Home & Studio Recording, Dec 1985
Vesta Kozo DIG-420

Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control.

What the hell does Quantisation think it is?

Feature | Topic: Sequencing | Music Technology, Feb 1992

Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too.

Hybrid Arts ADAP

Review | Music Technology, Nov 1986
Computer Sampling System

Sampling keyboards are everywhere this year, but most of them are confined to 12-bit resolution. Our US Editor, Rick Davies, gets a taste of 16-bit sampling with an incredibly cheap Atari-based system.

Roland R70 Drum Machine

Review | Music Technology, Jul 1992
Human Rhythm Composer

And the beat goes on - not least with Roland's latest drum machine, the R70. Simon Trask checks the pulse of the company that gave us the TR808, and are now giving it to us again.

NAMM Report

Show Report | Music Technology, Aug 1987

In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell.

Oberheim Matrix 12

Review | Electronics & Music Maker, Jun 1985
Programmable 12-Voice Multi-timbral Polysynth

The world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys.

The Shape Of Things To Come

News | Sound On Sound, Dec 1986

Another low-cost digital reverb from Alesis, a SMPTE/EBU to MIDI event synchroniser, new DX ROM/RAM cartridges, and a visual editor for Akai's S900 sampler are all amongst the forthcoming crop of new products.

The Power Behind the Button

Review | Electronics & Music Maker, May 1986
Yamaha SPX90

With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it.

Steinberg Cubase Audio

Review | Sound On Sound, Nov 1992

Before You Start Making That Demo Tape

Feature | Topic: Recording | Phaze 1, Nov 1988
Demo Tape Discipline

the power behind the button

Order of the Day

Interview | Phaze 1, Apr 1989

why drummer stephen morris prefers programming computers to bashing skins

Simmons SDE

Review | International Musician & Recording World, Sep 1986
DrumCheck

Bob Henrit encounters the latest black box from Uncle Dave — a dedicated drum voice expander for electronic drum kits

Kajagoogoo Kulakism

Interview | Electronic Soundmaker & Computer Music, Jan 1984

Life after Limahl

Miami Nice Guy

Interview | Sound On Sound, Jan 1988

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.

Rickenbacker 12

Review | In Tune, Jul/Aug 1985

Soundcraft Spirit Folio

Review | Music Technology, Apr 1993
Mixing Desk

Q: Just what is a Minister Without Portfolio? A: A leading member of the Government who hasn't got Soundcraft's nifty new portable mixer, that's what. Nicholas Rowland raises questions in The House

Roland JD-990

Review | Music Technology, Jun 1993
Synthesiser Module

It’s more than just a rackmountable version of the JD-800, but just exactly how much more you’ll have to ask Ian Waugh to find out. A flagship is the ship aboard which the commander of the fleet is quartered, by the way - so look out for portraits of the Roland Board Of Directors on the back panel

Visual Editing Systems

Feature | Topic: Computing | Sound On Sound, Nov 1989

Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates.

DAR Soundstation II

Review | Sound On Sound, Apr 1990
Digital Audio Recorder

David Mellor explores the higher echelons of audio technology and finds a machine which is destined to become a classic of its time: Soundstation II from Digital Audio Research.

Frankfurt Preview

Show Report | International Musician & Recording World, Feb 1986
The shape of things to come

Tony Reed goes back to the future for the Frankfurt forecast

The segue with the silver tongue

Group: Control Room

Review | The Mix, Sep 1994
CD player 3-way test

Denon, Pioneer, Vestax lock lasers

Robin Millar

Interview | Home & Studio Recording, Sep 1985

Janet Angus talks to Robin about practically everything.

 

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