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The Endorsement SyndromeFeature | Topic: Marketing / Promotion, Music Business | Making Music, May 1987Discover that this means different things to different people — from free gear for life (perhaps) to a half-price plectrum (maybe) |
Sonics & HarmonicsFeature | Topic: Tuition / Technique, Sound Fundamentals | One Two Testing, Sep 1985where to find them and why they're there |
Lab Notes: The Polyphonic SynthesizerFeature | Topic: Computing, Electronics / Build | Polyphony, Feb 1978 |
Frankfurt PreviewShow Report | International Musician & Recording World, Feb 1986The shape of things to comeTony Reed goes back to the future for the Frankfurt forecast |
Steinberg Cubase v1.5Review | Music Technology, Apr 1990Software for the Atari STMeanwhile, at the other extreme of ST sequencing, Steinberg's Cubase program gains a real-time MIDI Manager and a large-format monitor. Nigel Lord touches a new base. |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
What the hell does Quantisation think it is?Feature | Topic: Sequencing | Music Technology, Feb 1992Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too. |
Hybrid Arts ADAPReview | Music Technology, Nov 1986Computer Sampling SystemSampling keyboards are everywhere this year, but most of them are confined to 12-bit resolution. Our US Editor, Rick Davies, gets a taste of 16-bit sampling with an incredibly cheap Atari-based system. |
Roland R70 Drum MachineReview | Music Technology, Jul 1992Human Rhythm ComposerAnd the beat goes on - not least with Roland's latest drum machine, the R70. Simon Trask checks the pulse of the company that gave us the TR808, and are now giving it to us again. |
NAMM ReportShow Report | Music Technology, Aug 1987In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
The Shape Of Things To ComeNews | Sound On Sound, Dec 1986Another low-cost digital reverb from Alesis, a SMPTE/EBU to MIDI event synchroniser, new DX ROM/RAM cartridges, and a visual editor for Akai's S900 sampler are all amongst the forthcoming crop of new products. |
The Power Behind the ButtonReview | Electronics & Music Maker, May 1986Yamaha SPX90With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it. |
Steinberg Cubase AudioReview | Sound On Sound, Nov 1992 |
Before You Start Making That Demo TapeFeature | Topic: Recording | Phaze 1, Nov 1988Demo Tape Disciplinethe power behind the button |
Order of the DayInterview | Phaze 1, Apr 1989why drummer stephen morris prefers programming computers to bashing skins |
Simmons SDEReview | International Musician & Recording World, Sep 1986DrumCheckBob Henrit encounters the latest black box from Uncle Dave — a dedicated drum voice expander for electronic drum kits |
Miami Nice GuyInterview | Sound On Sound, Jan 1988The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done. |
Rickenbacker 12Review | In Tune, Jul/Aug 1985 |
Soundcraft Spirit FolioReview | Music Technology, Apr 1993Mixing DeskQ: Just what is a Minister Without Portfolio? A: A leading member of the Government who hasn't got Soundcraft's nifty new portable mixer, that's what. Nicholas Rowland raises questions in The House |
Roland JD-990Review | Music Technology, Jun 1993Synthesiser ModuleIt’s more than just a rackmountable version of the JD-800, but just exactly how much more you’ll have to ask Ian Waugh to find out. A flagship is the ship aboard which the commander of the fleet is quartered, by the way - so look out for portraits of the Roland Board Of Directors on the back panel |
Visual Editing SystemsFeature | Topic: Computing | Sound On Sound, Nov 1989Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates. |