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Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
Polarity UnveiledFeature | Topic: Maintenance / Repair / Modification, Sound Fundamentals | Home & Studio Recording, Sep 1986Ben Duncan goes through one of his phases... |
Robin Lumley - ProducerInterview | Home & Studio Recording, Sep 1984Having been out of the limelight for a while, Robin has again donned his producer's cap and set to work with new artists 3AM and Robin Clark. Here he talks of his involvement with them and his attitude to the home recording revolution. |
New Order - TechniqueFeature | Topic: Recording | Sound On Sound, Apr 1989Mark Prendergast takes a look behind the scenes at the recording of New Order's fifth LP, 'Technique'. |
Cellular reproductionGroup: Control RoomDigidesign SampleCell IIMac-driven sampling re-defined |
On The Beat - Part 10Feature Series | Topic: Drum Programming | Music Technology, May 1990Part 10 of this rhythm programming series covers a selection of fascinating rhythms indigenous to the exotic countries of South America. Nigel Lord gets a studio tan. |
DIY SingleFeature | Topic: Music Business | Music Technology, Aug 1988If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single. |
Jazz BabyInterview | Music Technology, Dec 1990The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen. |
Talking MIDI - Part 7Feature Series | Topic: MIDI | Sound On Sound, Jul 1986Part 7. In this penultimate episode Jay Chapman explains the usefulness of MIDI's all-important System Exclusive messages. |
Triple 'X' RatingReview | Sound On Sound, Oct 1986Dbx 'X' ProcessorsApart from noise reduction systems, dbx make a studio quality range of 'budget' signal processors. Engineer Gareth Stuart put three of them - the 163X compressor/limiter, 263X de-esser, and 463X noise gate/expander - through their paces. |
Casio SK2100Review | Music Technology, May 1987Portable Sampling KeyboardYou want a synthesiser, a drum machine, a sequencer and a sampler, but you've got less than £500 to spend? Home-keyboard buyers are currently being offered just such a package, as Dan Goldstein discovers. |
British Music Fair ReviewShow Report | International Musician & Recording World, Oct 1986The assembled masses of the IM review department wax lyrical over their selected favourites from this year's music fair. |
One-UpmanshipReview | Home & Studio Recording, Feb 1986A self-contained analogue drum synth from ultimate Percussion. |
Revox C278Review | Recording Musician, Sep 19928-Track Tape RecorderSince its dramatic drop in price, the C278 is an attractive proposition to the private user who puts quality before frills. |
Polyphonic SynthesizersFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983A survey of trendsetters |
Bit OneReview | International Musician & Recording World, Jan 1985SynthcheckPaul Fishman goes to town on Crumar's new baby |
Organ TalkFeature | Electronics & Music Maker, Oct 1981Keyboard TechniqueHelpful hints to improve your keyboard technique. |
A Different DrumReview | Electronic Soundmaker & Computer Music, Jun 1985M.P.C. Percussion RoundupThe MPC percussion system: DSM1/2; DSM 8 Auto Tom; DSM 32 x 4 drum synth; Programmers Rhythm Sequencer. |
JHS DX-5 Pro-Rhythm Mini SynthReview | Electronics & Music Maker, Mar 1982 |
Battle of the AlgorithmsReview | Micro Music, Apr/May 1989Ian Waugh takes a side by side look at Fingers and Tunesmith. |
The Psychology of Music - Part 1Feature Series | Topic: Music Theory, Performing | Electronics & Music Maker, Oct 1983E&MM looks in a new direction that starts you thinking about the way you play, from a psychologist's point of view |
Getting ExcitedFeature | Topic: Effects Processing | Home & Studio Recording, May 1985An explanation of psychoacoustic signal enhancers and their possible applications. |
MFB Digital Drum MachineReview | Electronics & Music Maker, Jun 1984An RRP of under £300 makes this German-built unit the cheapest source of sampled rhythm patterns on the market. Review by Paul White. |