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Synth SenseFeature | Topic: Tuition / Technique, Music Theory | Making Music, Aug 1986Lots of chords, including the diminished fifth modified dominant seventh. |
The Art of PropagandaInterview | Sound On Sound, Jul 1990Back in 1985, Propaganda made an astonishing debut with 'Dr. Mabuse' and the classic album 'A Secret Wish'. After years of silence, a split with ZTT records, and the departure of three-quarters of the original line-up, Michael Mertens is back with a new-look Propaganda, and feeds the party line to Nigel Humberstone. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Dec 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Zoom 9030 Instrument Effects ProcessorReview | Sound On Sound, Sep 1991David Mellor straps on his vintage Stratocaster and plugs into the effects unit of the future. |
Sex and the Rock StarFeature | Topic: Music Business, Performing | One Two Testing, Sep 1984who does it where to whom and with what |
Sequential MultiTrakReview | Electronics & Music Maker, May 1985Programmable Polysynth with SequencerThe Californians introduce a followup to the inventive but mixed-bag SixTrak. Simon Trask checks it out. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1992Hints, Tips & News From The World Of Music SoftwareThis month, helpful hints for users of Steinberg and Dr. T's software. |
MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Music Technology, Jul 1987The marriage between MIDI and SMPTE is now complete, but the burning question remains: how will musicians and engineers benefit from it? Chris Meyer traces the link from its source to its users. |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
The Time MachineReview | Home & Studio Recording, Jun 1986Time Machine Rack SeriesThree signal processors that are available either in kit form or ready built. |
Magnificent SevenReview | Recording Musician, Apr 1993Studiomaster P7 Multitrack Mixing ConsoleStudiomaster have at last entered the in-line console fray with this well-specified and attractively-priced desk. RM checks it out. |
360 Systems Pro MIDI BassReview | Sound On Sound, May 1988Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking. |
Casio PG380Review | Sound On Sound, Aug 1988MIDI Guitar ControllerCasio's first truly professional MIDI guitar boasts an onboard synthesizer and claims to have the fastest pitch tracking of any MIDI guitar. Rowland Jones bought one to find out! |
Modular Effects Rack Project - Part 1Feature Series | Topic: Electronics / Build | Home & Studio Recording, Dec 1984A major new series describing the design and construction of a high quality modular effects rack. This first instalment deals with the Sub Rack assembly, Power Unit and the first module: the Pro-Gate. |
Wood Of The MonthFeature | Making Music, Dec 1987 |
Through the Software JungleFeature | Topic: Buyer's Guide, Sequencing | Micro Music, Aug/Sep 1989Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money |
Making the Most of your Akai S1000 Sampler - Part 3Feature Series | Topic: Sampling | Sound On Sound, Jul 1989Multiple Loops & TimestretchIn this final part of the series, Akai product specialist Steve Howell explores sample editing using multiple loops, and the S1000’s new timestretch feature. |
Simmons SDS9Review | Home & Studio Recording, Sep 1985Worth its weight in microphones and Gaffa tape. |
MusigraphReview | Music Technology, Jun 1988Software for the Atari STTired of using pencil and paper to write out your music? Fancy a hi-tech fix for your next composition? Ian Waugh scores a line (or five) with a new graphics-based music notation package from French company SARO. |
Matrix MagicReview | Sound On Sound, Mar 1986Ian Gilby reviews a truly ingenious programmable patchbay that takes all the hard workout of MIDI equipment routing in the studio - the Sycologic M16 MIDI Matrix. |
First TakeFeature | Topic: Recording | Electronics & Music Maker, Feb 1986Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable. |
Insider FadingFeature | Topic: Design, Development & Manufacture, Mixing | Sound On Sound, Jun 1993Behind The Design Of The Soundcraft DC2000 Moving Fader Console |
Kawai R50Review | Music Technology, Sep 1987Digital Drum MachineFollowing hard on the heels of the R100, this junior beat box from Kawai threatens to outshine its big brother, as Simon Trask finds out. |
NAMM - Part 1Show Report Series | One Two Testing, Aug 1985Shredder goes to New Orleans for hot news from America's major instrument show... scoop |
Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |