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Macintosh or Atari?Feature | Topic: Computing | Sound On Sound, Jan 1988Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs. |
Which One Would You Choose?Review | Topic: Recording | Sound On Sound, Mar 1988Three 4-tracksIs it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'. |
Totally WiredFeature | Topic: Maintenance / Repair / Modification | Making Music, Jul 1987Leads & WiresFind out about the rubber on the outside, the wire on the inside, the music goes round and round... |
Holger CzukayInterview | Electronics & Music Maker, May 1982An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians. |
When is a Computer? - Part 1Feature Series | Topic: Computing | One Two Testing, Nov 1983In fact, when is it a musical instrument? We start making sense of the silicon chip. |
That Syncing Feeling - Part 2Feature Series | Topic: Syncronisation | Micro Music, Aug/Sep 1989Chris Smith continues his series on synchronisation |
Kawai K4Review | Sound On Sound, Jan 199016-Bit Digital SynthesizerFollowing on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth. |
Recording Techniques - Part 4Feature Series | Topic: Recording | Sound On Sound, Mar 19904-Track RecordingPART 4: David Mellor takes a first step into the wide world of multitrack recording with an explanation of cassette-based 4-track techniques. |
Synclavier II - Part 1Review Series | Electronics & Music Maker, Feb 1983 |
Making Records - Part 2Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Feb 1985MetalworkPart 2 deals with that crucial part of the record making process - the metalwork stage. |
Gibson Twin-neckGroup: GuitarCheck |
Mega SmokeNews | Making Music, Dec 1986Goes Chrimbo CrazyA special seasonal waft of your favourite news and gossip column, this time drifting through the whole magazine and including mini-interviews with the likes of China Crisis and jokes from the likes of us. The fun starts here. |
Sounding OffOpinion | Sound On Sound, Oct 1990A Voice In The WildernessNow that we can all make make release-quality albums in our bedrooms and basements, what happens to all this music? Richard Garrett has some suggestions. |
How To Become An Atari ST Power User - Part 1Feature Series | Topic: Computing | Sound On Sound, Aug 1991HardwareThe first part of a short series in which Martin Russ expands, exploits and explores the Atari ST computer. |
Akai/Linn MPC60 IIReview | Sound On Sound, Nov 1991Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai. |
Wave For WindowsGroup: Quality ControlDirect-to-disk recording systemPC-based direct-to-disk recording is getting better... and cheaper. Ian Waugh looks at one of the latest systems to emerge. |
Step-time Composition on the Model 64Group: Computer MusicianWho needs SCI? Billy Cowie has come up with some simple software that enables the Model 64 Sequencer to be programmed in step-time. |
Tango ZebraInterview | Music Technology, Mar 1987What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures. |
Bass á la modeGroup: Sound AdviceBass modesPerfecting the acoustics of your studio |
Sony D50 Compact Disc PlayerReview | Home & Studio Recording, Nov 1985H&SR looks at Sony's tiny compact disc player and offers a few excuses for buying one. |
Logitech CSDD1 Sampling DelayReview | Home & Studio Recording, Dec 1985 |
Fostex X28Review | Music Technology, Feb 1992Cassette MultitrackerWhen cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful. |
The Synth Is Dead: Long Live The SynthFeature | Topic: Synthesis & Sound Design | Sound On Sound, Oct 1992With the predominance of the workstation synth, and the rise and rise of essentially preset instruments, what has become of the 'traditional' synthesizer? Paul Hazel turns the spotlight on Roland's JD800 and Korg's Wavestation, two recent instruments which answer the question — but in very different ways. |
Atari NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
Sound on StageFeature | Topic: Live | Electronics & Music Maker, May 1981 |