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Commercial Radio: A Missed OpportunityFeature | Sound International, Apr 1979That's the way Tony Attwood sees it. See if you agree. |
Steinberg CubaseReview | Sound On Sound, Aug 1989The new heir to the ST sequencer throne?After a change of name and a long wait, Steinberg's successor to Pro24 is finally here. Has it been worth the wait? David Hughes thinks so... |
Sounding OffOpinion | Sound On Sound, Aug 1989PollutionMartin Russ worries about software pollution and wonders if we can look forward to 'green' software. |
Chris Franke on SequencersInterview | Electronics & Music Maker, Mar 1983Tangerine Dream's rhythm man describes his sequencer set-up |
Dynamic Noise Filter Project - Part 3Feature Series | Topic: Electronics / Build | Home & Studio Recording, Feb 1985The third instalment of our series describing the design and construction of a high quality modular effects rack system. |
Enhancing Your ComputerFeature | Topic: Computing | Sound On Sound, Dec 1990Martin Russ looks at how you can make the most of your computer power, through a range of software and hardware. |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
When Things Go WrongFeature | Topic: Design, Development & Manufacture, Maintenance / Repair / Modification | Sound On Sound, Nov 1991Day-to-day use takes its toll on recording equipment, so proper maintenance and servicing is essential to get the best from your studio toys. David Mellor takes a look behind the scenes of Fostex's service department. |
Universal Bass Pedal SynthFeature | Topic: Electronics / Build | Electronics & Music Maker, Apr 1984A complete, step-by-step guide to constructing a pedalboard compatible with just about any 1-volt-per-octave synth. |
Chroma PolarisReview | Electronics & Music Maker, Nov 1984Programmable Polysynth with SequencerCBS-Fender's 'budget' polysynth retails at £1700. Mick Jones finds out if it can hold its head above the competition. |
Oberheim DPX1Review | Music Technology, Feb 1987Sample Replay UnitIn a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that. |
Making HistoryRetrospective | Music Technology, Aug 1991Looking back over ten years' worth of magazines, it seemed that there were certain moments worth reliving - here are the edited highlights. |
We Can't Go On... - Part 5Feature Series | Music Technology, Aug 1987...Beating Like ThisIf conventional drum pads sound old hat, Matt Isaacson and Chris Meyer might have a few ideas for you as they check out the alternatives in our series on creative drum programming. |
The Secrets of TimbreFeature | Topic: Mixing, Sound Fundamentals | Music Technology, Jul 1988Don't touch those Level and Pan controls - you may be able to solve your mixing problems more easily than you think. Robert Rich explains how the timbre of a sound affects its performance in the mix. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Standard MIDI FilesFeature | Topic: MIDI | Sound On Sound, Feb 1992In Search Of The TruthDespite the fact that Standard MIDI Fil es have been about for quite a while there is, for many users, still more than a little confusion about their purpose and use. Paul Overaa sheds some light on the subject... |
Music on-line - Part 1Feature Series | Sound On Sound, Jan 1987A Guide to Computers and Communications for the Musician.Believe it or not, your computer can do considerably more than just go wrong! The burgeoning world of telecommunications offers the musician access to international 'electronic mail' and 'bulletin board' systems, free music software, information databases, help and sound advice. Richard Elen begins a new series that explores how today's top musicians are taking advantage of such systems and tells how you can join in. |
Hands On: Soundcraft Spirit Studio Mixer - Part 1Feature Series | Topic: Mixing | Sound On Sound, Apr 1992A large mixing console can have literally thousands of knobs and switches. David Mellor explains how to use every last one of them - almost! Part 1 of 2. |
SoundscapeReview | Sound On Sound, Sep 1993Hard Disk Recording System For The PCWhy is there such a fuss about this British-made multitrack hard disk recorder? Read our review to find out... |
This Year's ModelReview | Music Technology, Jan 1988Korg DSM1 & E-mu SP1200Are the latest samplers from Korg and E-mu Systems really new instruments, or are they simply updates on old machines? Lorenz Rychner counts the bits and checks the clocks. |
Copyright or CopycatFeature | Topic: Copyright, Music Business | One Two Testing, Feb 1985how it works |
Tricks & talesGroup: In SessionNow at last, it can be revealed! The veteran producer spills the beans about those 70s Genesis albums... and updates us on work in progress |
Commodore 64 - The Soft Way, The Hard Way, The MIDI WayFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jul 1984Floppy disks and tape, Microsound 64, SCI Model 64 |