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Tascam MTS1000 MIDIizerReview | Sound On Sound, Oct 1990As the prices of 8 and 16-track tape recorders have come within the reach of more users, synchronisers are becoming familiar, even essential, to an increasing number of people. David Mellor chases Tascam's new machine and midi synchroniser. |
45 KingdomInterview | Music Technology, May 1989As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten. |
The art of noiseGroup: Sound AdviceThe secret life of the noise gateOpen your gate and find the key to a better sound |
How Men Are NowInterview | Music Technology, Jan 1987The Luxury Gap boys pat themselves on the back after recording their fourth album, 'Pleasure One'. Tim Goodyer finds out how it was done, and discovers the threesome may soon be playing their first-ever concerts. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Mar 1984Miking Up Acoustic String Instruments |
ART DR1 digital reverbReview | Sound On Sound, Feb 1987Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI. |
The Outer LimitsShow Report | Electronics & Music Maker, Feb 1985Exclusive reviews of two avant garde music festivals that saw technology pushed to its creative limits, Ars Electronica at Linz and the International Computer Music Conference at IRCAM, Paris. |
Mono Mode Pt2 - Part 2Feature Series | Topic: MIDI | Electronics & Music Maker, Sep 1986Fancy turning your Prophet 2000 into a 128-voice sampler? Paul Wiffen shows you can use MIDI Mode 4 to give the impression you're doing just that. |
Behind Hollywood BeyondInterview | Music Technology, May 1987'What's the Colour of Money?' was one of last year's most inventive hit singles, but since then, little has been heard from Mark Rogers. Tim Goodyer talks to him as the first HB album is released. |
Animal HouseInterview | International Musician & Recording World, Jul 198610 years on, and nothing's changed, including Chris Holland-Hill's underwear |
Making The Most Of... - Part 12Feature Series | Topic: Mixing | Home & Studio Recording, Apr 1986StereoA brief look at the difference between true stereo and panned mono with a few mixing hints thrown in. |
Bio MusicFeature | Topic: Performing, Sound Fundamentals, Synthesis & Sound Design | Electronics & Music Maker, Dec 1981An intriguing evaluation of the way the human body reacts to music. |
Greengate DS:3 & Looping SoftwareReview | International Musician & Recording World, Jul 1985SystemcheckThe Greengate goes loopy |
IntroductionGroup: The MIDI Connection Supplement |
Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Wood Of The MonthFeature | Making Music, Jul 1987 |
British Music FairNews | Making Music, Jul 1986Incorporating the News. And starring all you need to know about the new products and where they'll be. The one you need. |
Proteus EditorReview | Micro Music, Mar 1990Phil Brammer runs through the pro's and cons of the Proteus Editor from Caged Artist |
Passport Master Tracks Pro 4.5.3Review | Sound On Sound, Oct 1991Passports Master Tracks Pro has a longer track record than most sequencers. Mike Collins looks at the latest version for the Mac. |
JL Cooper Mix MateReview | Music Technology, Oct 1988Once the exclusive territory of costly systems like the SSL desk, automated mixing is quickly becoming widely available. Lorenz Rychner looks at an automation system aimed at the budget studio. |