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Here's Stringz 'n' ThingzFeature | Polyphony, Feb 1978Maybe we should have called it thingz 'n' stringz |
Mixing with the BestReview | Home & Studio Recording, Nov 1986Soundcraft 200SR MixerA first rate general purpose live or recording desk that doesn't cost the earth. |
Midi MergersFeature | Topic: MIDI | Music Technology, Dec 1991Why they won't work and how they doMIDI mergers - can't live with 'em, can't live without 'em. Don Erskine looks at the uses and misuses of mergers and concludes that two into one will go. |
Writing on the WallFeature | Topic: Live, Marketing / Promotion | Phaze 1, May 1989all publicity is good publicity - and even with limited funds, your band can still have a great image |
Is Analogue Multitrack Recording Dead?Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Feb 1993 |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Knobbly NeedsFeature | Making Music, Jul 1987Mixer KnobsWhat a confusing bank of knobs, switches and dials on that mixer, eh? We sort them all out. S'easy |
Studio FocusGroup: Computer MusicianDurham University Electronic Music Studio |
Making the Most of... - Part 15Feature Series | Topic: Mixing | Home & Studio Recording, Jul 1986MixingSimon Croft takes up from Steve Howell and gives his views on creative remixing. |
Mono Mode - Part 6Feature Series | Topic: MIDI | Music Technology, Jan 1987Getting the Most from Mono ModeYou may have your heart set on a specific MIDI guitar controller, but do you know which kind of synth voice unit to combine it with? Rick Davies offers some interactive advice. |
Intelligent Music Jam FactoryReview | Music Technology, Feb 1987Software for Apple MacintoshIf you're lucky enough to have an Apple Macintosh computer, you can now take advantage of a revolutionary new program that improvises its own music based on the data you feed it. Review by Jim Burgess. |
Roland TR707Review | Home & Studio Recording, Sep 1985A digital rhythm machine ideally suited to life in the studio. |
Tape Machines Line Up HereFeature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1986Martin Goldman examines the dos and don'ts of tape machine maintenance. |
We Can't Go On... - Part 1Feature Series | Topic: Drum Programming | Music Technology, Apr 1987...Beating like this. We start a major new series on how to make your drum machine - no matter what its spec - sound more interesting, both sonically and rhythmically. Your guides are Chris Meyer and Matt Isaacson. |
Studio CoursesFeature | Topic: Education | Home & Studio Recording, Jul 1984A Guide to Recording, Electronic Music and Popular Music Courses in BritainThe first ever published guide to all Recording, Electronic Music and Music Courses available in Britain today. |
Mating MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Aug 1984InterconnectMating Microphones - ever wondered why your low impedance mic won't work well with your recorder? Then read on... |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Touching BassInterview | Music Technology, May 1992As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label. |
PROMIDIReview | Sound On Sound, Nov 1988Direct-to-Disk Studio SystemHere's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates... |
VangelisInterview | Sound On Sound, Jul 1990With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions. |
MIDI Matters - Part 2Feature Series | Topic: MIDI | Sound On Sound, Mar 1987Understanding MIDI Implementation ChartsThe best way of finding out what a new instrument can do is to look carefully at its MIDI Implementation Chart. Jay Chapman acts as your MIDI interpreter and takes you on a guided tour. |