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Frankfurt: Drums, Electronic Drums And CymbalsShow Report | International Musician & Recording World, Apr 1986Bob Henrit reminisces on a plethora of electronic drums and a naze of excess |
Ibanez Multi-EffectsReview | Electronics & Music Maker, Apr 1984Ibanez UE400 and UE405Two versatile effects units that aim to combine the best of both worlds: the flexibility of pedals and the neatness of rack-mounting systems. |
Understanding ElectronicsFeature | Topic: Electronics / Build, Syncronisation | Electronics & Music Maker, Jul 1982Trigger InterfacingA regular column that explains the electronics of music. All you need to know about Trigger Interfacing |
The Shape of Things to ComeNews | Sound On Sound, Sep 1988More news of forthcoming new products to tempt you to dig deeper into your pockets. |
Roland SBX80 Sync BoxReview | Home & Studio Recording, Mar 1985 |
ToolboxNews Audio | The Mix, Mar 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Oberheim Matrix 12 & XK ControllerReview | International Musician & Recording World, May 1985SynthcheckAn expansion on the Expander with a free (£1200) keyboard! Paul Fishman goes upmarket |
ART DR2 Digital ReverbReview | Home & Studio Recording, Sep 1985A surprisingly flexible and easy to use unit that offers first class results. |
Oberheim PrommerFeature | Music Technology, Apr 1987Chris Meyer takes an in-depth look at Oberheim's EPROM burner and reader, and considers its renewed significance in the light of continually evolving MIDI applications. |
PA Signal Processor - Part 2Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981 |
Making TracksReview | Home & Studio Recording, Dec 1986Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Public LibraryFeature | Music Technology, Apr 1988Public Domain SoftwareAs some readers write in to complain about the price of commercial music software, Ian "tightwad" Waugh is busy taking advantage of the software available free in the public domain. |
Recording Techniques - Part 2Feature Series | Topic: Microphones, Recording | Sound On Sound, Jan 1990PART 2: Microphones. David Mellor cuts through the mythology of microphone techniques with some practical advice. |
Long time comingGroup: In SessionAdam Mosley chats about producing The Plot Thickens |
Return to Zero - Part 6Feature Series | Topic: Mixing, Recording | Home & Studio Recording, Jul 1985MixersIn this month's article we take a look at the most central piece of equipment in any recording studio; the mixer. |
Studio Construction SetFeature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992Which Gear is Right for You? |
Roland SBX80 Sync BoxReview | Electronics & Music Maker, Feb 1985If you've got a serious syncing problem, chances are the new Sync Box will be your best bet for a solution, as Paul White explains. |
We Can't Go On... - Part 4Feature Series | Topic: Drum Programming | Music Technology, Jul 1987...Beating Like This. In the fourth part of our series, Matt Isaacson casts a critical eye over some of the electronic drum pads now available; will using them create a better beat? |
The Guitar Industry - An American OverviewFeature | Topic: Music Business, Retail | Electronics & Music Maker, Oct 1983As October is Guitar Month we chat to Hap Kuffner, Vice-President of Steinberger Inc who proffers a few wise words about the current state of the industry |
Decisions, DecisionsFeature | Music Technology, Jul 1987Should You Upgrade from a DX7 to a DX7II?If you already own a Mk1 DX7, you're now faced with an agonising dilemma: do you risk everything and chop it on for the MkII model? Howard Massey weighs up the pros and cons of taking the plunge. |
Know Your ContractFeature | Topic: Music Business | Making Music, Feb 1987Recording ContractsWe ask a leading music lawyer what bands should know before signing. |
Windy City DayShow Report | Electronics & Music Maker, Sep 1986NAMM ReportAmerican software engineer Chris Meyer submits a personal, highly subjective and utterly biased report on Chicago's summer music extravaganza. Well, he was only there for a day. |
PracticeFeature | Topic: Tuition / Technique | Making Music, Mar 1987How to get the very best from what you do in the privacy of your own home |