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360 Systems Pro MIDI BassReview | Sound On Sound, May 1988Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking. |
Korg SQ8Review | Music Technology, May 1987Eight-track MIDI SequencerMT new boy Bob "I'm Confused" O'Donnell checks out the cutest eight-track sequencer available. Have too many corners been cut to reduce the cost? |
The Small Print - Part 2Feature Series | Topic: MIDI | Music Technology, Jun 1989Reading MIDI Implementation ChartsIn spite of MIDI's promise of compatibility between hi-tech musical equipment, few of us have found this to be the case. Vic Lennard takes his second look at MIDI Implementation charts and how they can solve your MIDI problems. |
Sansui MDR7 MIDI/Tape SynchroniserReview | Sound On Sound, Jul 1990Dave Lockwood casts a critical eye over this low-cost MIDI/tape sync box from Sansui. |
Taking ControlFeature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1993Using MIDI Continuous Controllers |
Tascam MM1Review | Sound On Sound, Dec 1989MIDI Mutable MixerMost small mixers simply don't have enough inputs for even a modest home recording setup. One that certainly does is the new 20:2 Tascam MM1, complete with MIDI mute automation. Tony Hastings checks it out. |
Oberheim Drummer & StrummerReview | Sound On Sound, Aug 1991MIDI ProcessorsAn interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case. |
Lexicon MRCReview | Sound On Sound, Mar 1989MIDI Remote ControllerLexicon's MRC unit is much more than a fancy remote controller for their PCM70 and LXP1 signal processors - it also provides analogue-like controls for easy editing of DX synth parameters and manipulation of virtually any MIDI controller data. Martin Russ checks out the power behind the buttons. |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |
Jl Cooper Sync-LinkReview | Music Technology, Sep 1991Macintosh MIDI InterfaceThe new line of cheap Apple Macs sees them Ending more music applications; now the search is on for a cost-effective MIDI interface. Vic Lennard checks out a strong contender. |
Making The Right ConnectionReview | Sound On Sound, Aug 1988MX8 MIDI Patchbay/ProcessorWith so many low-cost MIDI-equipped units around, the days when you could make do with a Thru box and a few cables are long gone. A MIDI patchbay is now an essential purchase, and one of the best is the MX8 MIDI Patchbay/Processor from Digital Music Corp. Tony Hastings checks it out. |
IVL Pitchrider Guitar To Midi ConverterReview | International Musician & Recording World, Nov 1986GuitarcheckAn instrument to put the Shadow in the shade? Paul Trynka has his doubts |
Beef It UpReview | Electronic Soundmaker & Computer Music, Jul 1985Roland SDE-2500 MIDI digital delayRoland's MIDI digital delay |
Groove MC-LiteReview | Music Technology, Aug 1991MIDI-controlled Stage LightsExtending MIDI control to cover stage lighting is a logical extension of a system which can already control most aspects of music. Vic Leonard strikes a lite. |
Akai XE8 MIDI Drum ExpanderReview | Music Technology, Apr 1989As the sequencer comes of age, the role of the drum machine is brought into question: why have a sequencer in your drum box if there's already one in your computer? Simon Trask investigates what may be the next step for the beat box. |
Roland GM70Review | Music Technology, Apr 1987Guitar-to-MIDI ConverterPaul White, who's owned almost every Roland guitar synth built, puts the new GK1 synth driver and GM70 "brain" under test. Is this the first pitch-to-MIDI system that really works? |
Fostex MTC1Review | Music Technology, Sep 1990MIDI Time Code ControllerWith sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Musicsoft MIDImanReview | Music Technology, Jul 1989MIDI Tape Recorder InterfaceIf the prospect of throwing your computer into the back of a Ford Transit and hauling it on stage every night fills you with dread, the new MIDIMan from Musicsoft might well be the solution. |
Orla Commander C80Review | Music Technology, Jun 1993MIDI Controller KeyboardSimon Trask takes command of Orla’s 88-note weighted keyboard, and brings the sensitivity of the concert pianist to this MIDI module interface. Will the C80 respond? |
Iconix MIDI SequencerReview | Sound On Sound, Jun 1987Software for the Atari STThis is the first British pro music software to be released for the Atari ST range of computers, and the first to really make full use of the Atari's GEM graphics operating system, according to the manufacturer. Martin Russ checks out their claims. |
Soundtracs Solo MIDI Mixing ConsoleReview | Recording Musician, Jul 1992Not so much a budget console as a professional mixing desk at a surprisingly low price. |
Novation MM10Review | Music Technology, Aug 1992Portable MIDI Keyboard ControllerIt makes no sound, but it makes a lot of sense. |