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Roland MSQ100

Review | Electronics & Music Maker, Feb 1985
MIDI Digital Keyboard Recorder

There are still more computer-shy musicians around than many would have you believe, so for them, this dedicated MIDI sequencer could be just the ticket. Trish McGrath investigates.

Oberheim Cyclone

Review | Music Technology, Mar 1989
MIDI Performance Effect

The arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold.

The Pianist Classical Piano MIDI File Package

Group: Widgets

Review | Sound On Sound, Dec 1993
For Atari ST, Apple Mac and PC

MIDI by Numbers

Group: MIDI Supplement - Part One

Interview | Topic: MIDI | Electronics & Music Maker, May 1984
An interview with, the BPI's Producer of the Year.

Culture Club producer Steve Levine discusses his attitudes to modern music-making, and how the new interface makes his life easier.

AMAS

Review | Sound On Sound, Feb 1990
Advanced MIDI Amiga Sampler

Got an Amiga? Want a sampler? Then cast your beady eye over this one. Greg Truckell is your guide.

Roland PAD80 Octapad II

Review | Music Technology, Sep 1988
MIDI Pad Controller

Roland's follow-up to their successful Pad8 Octapad features expanded memory and enhanced programmability. Simon Trask hits it off with Roland's new percussion controller.

Yamaha TG300

Group: Quality Control

Review | Music Technology, Mar 1994
General MIDI sound module

Is there more to CM than meets the ear?

Black Box Secrets

Review | Electronics & Music Maker, Nov 1985
Akai MIDI Effects

Three 19" rack-mounted modules that act as a delay, a dynamics controller, and an arpeggiator respectively. Simon Trask gives them the critical treatment.

Korg MR16

Review | Electronics & Music Maker, May 1985
MIDI Percussion Voice Generator

Simon Trask confronts a technological puzzle. Why have Korg put 19 digital drum voices in a box that contains no sequencing software?

Simmons SPM8:2

Review | Home & Studio Recording, May 1987
MIDI Programmable Mixer

A programmable mixer that will find a good home in a home studio.

Zeta Mirror 6

Review | Sound On Sound, Jun 1991
MIDI Guitar Controller

Dave Lockwood gets down to some serious MIDI guitar histrionics...

BCK LSI LiteShow

Group: Quality Control

Review | Music Technology, Dec 1993
integrated MIDI-to-light controller

Eight channels of lighting, 300w per channel - all controlled through MIDI Channel 16. Is this he light at the end of the tunnel?

Drawmer MIDMAN

Review | Sound On Sound, Apr 1986
M401 MIDI MANAGEMENT SYSTEM

When a well-respected signal processor manufacturer like Drawmer moves beyond the realms of noise gates and compressors into MIDI control, it's yet another indication that the recording world is recognising the importance of MIDI. Paul Gilby dropped his copy of the Financial Times to take an exclusive look at the brand new Drawmer MIDI Management System.

Alesis HR16 Drum Machine & MMT8 MIDI Recorder

Review | Music Technology, Sep 1987

Following the success of the MIDIverb, Alesis have ventured into the realms of drum machines and sequencers. Bob O'Donnell lends an ear and discovers that economy doesn't necessarily mean compromise.

MIDI Timing Delays

Feature | Topic: MIDI | Sound On Sound, Mar 1993
Software & Hardware Thrus

Rane MPE14 MIDI Programmable Equaliser

Review | Sound On Sound, Jun 1990

Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back.

The Integration Game - Part 2

Feature Series | Topic: MIDI | Sound On Sound, Sep 1992
Improving Your MIDI Environment

Martin Russ concludes his discussion of MIDI environments with an in-depth look at how to create your own profiles in X-Or and Galaxy.

Musicsoft Syncman & MIDIman

Review | Sound On Sound, Oct 1989
MIDI-to-tape interfaces

Do you want to synchronise your sequencer to your multitrack? Or record MIDI data directly onto tape? David Mellor looks at two compact and versatile units from Musicsoft that allow you to do both.

Korg SDD2000

Review | Electronics & Music Maker, Jul 1985
MIDI-controlled Sampling Delay

Korg’s latest digital delay looks like any other - but it offers comprehensive MIDI-controlled sound-sampling facilities. Tim Goodyer checks it out.

Sync Something Simple

Review | Recording Musician, Jan 1993
JL Cooper PPS2 MIDI/Tape Synchroniser

This compact device from time code pioneers JL Cooper makes light work of your MIDI-to-tape sync needs.

The Professional's Choice

Feature | Topic: Sequencing | Sound On Sound, Apr 1986
Steinberg Pro16 MIDI Sequencer

Tony Hastings takes you through the recording of a song using the facilities of the Pro 16 MIDI Sequencer software from Steinberg Research.

Fuss In Boots?

Review | Sound On Sound, Feb 1987
Cheetah MK5 MIDI keyboard

A master MIDI keyboard for under £100 may sound like a joke to you, especially when it is sold by Boots, but Jay Chapman quickly stopped laughing when he plugged it in. Find out why...

The Route To The Top

Review | Sound On Sound, Apr 1990
XRI Systems XR400 MIDI Mate

Is your MIDI system just an accident waiting to happen? Here's an easy way of bringing order to your present tangled mess of MIDI connections. Martin Russ checks out XRI Systems' clever XR400 MIDI Mate.

Roland A50 & A80

Review | Music Technology, Jun 1989
MIDI Keyboard Controllers

As MIDI equipment becomes more and more sophisticated, the job of a MIDI controller keyboard becomes more and more demanding. Simon Trask takes the A train with Roland's latest MIDI controllers.

Zypher Electronics Digi-Atom 4800

Review | Electronics & Music Maker, Sep 1984
Analogue-to-MIDI converter

The first of its kind to appear on the UK market, the Digi-Atom is a CV-to-MIDI converter that allows old analogue equipment to be used in conjunction with new MIDI gear. Paul White again.

 

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