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Search results
 Korg Digital Voice ProcessorPreview | Sound On Sound, Jan 1986Whilst the race is on to MIDIfy every effect under the sun, Korg suddenly leap ahead of the rest with their DVP-1. Ian Gilby delivers an exclusive preview of this unique rack-mounting device that combines a vocoder, harmoniser and pitch transposer with MIDI control. |
 Slap 'n' TickleReview | Sound On Sound, Apr 1986High quality sampled bass sounds that you can play from any MIDI keyboard, sequencer or drum machine are offered by the 360 Systems MIDI BASS. Tony Hastings assesses its performance. |
 The Max FactorReview | Sound On Sound, Jul 1991Opcode Max SoftwareOpcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered. |
 Korg SG1 PianoReview | Music Technology, Feb 1987While other manufacturers dabble in new resynthesis technology, Korg stick with multi-sampling for their new digital piano. Simon Trask puts fingers to ivories to find out if their approach works. |
One Size Fits AllEditorial | Music Technology, Dec 1990Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size. |
 RumblingsGroup: Computer MusicianDetails of a new German computer musical instrument, MIDI software for the Apple Macintosh, and Passport's latest Commodore 64 music packages. |
 Mixing by numbersGroup: Control RoomSteinberg MusicStationEntry-level music software |
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 Roland TR727 Rhythm ComposerReview | In Tune, Dec 1985 |
 The Vital LinkReview | Electronic Soundmaker & Computer Music, Oct 1984Syco's Analogue to Digital Interface is less than half the price of its nearest competitor. But does it match the quality? We investigate. |
EditorialGroup: Computer MusicianFrankie says Extract Your Digits. But should we? |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1993Hints and tips for users of Gajits' software. |
 Get the HornReview | Micro Music, Apr/May 1989Jez Ford gets his laughing gear round the budget Casio MIDI wind controller - The DH100 |
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 Interfacing The Past - Part 2Feature Series | Topic: MIDI, Vintage Instruments | Music Technology, Jan 1993The vintage advantage |
 Give it some StickReview | Micro Music, Jun/Jul 1989Clive Grace gets pretty damned excited over the revolutionary Chapman Stick |
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EditorialEditorial | International Musician & Recording World, Feb 1985 |
 Technically SpeakingFeature | Topic: Computing, MIDI | Making Music, Mar 1987 |
 Digital Music MIDIScanGroup: Quality ControlOCR music software for the PCImagine what it would be like to scan a piece of sheet music and have it turned into a MIDI file. Imagine the MIDIScan. |
 U got the LookReview | Micro Music, Jun/Jul 1989Roland's U-110 is proving to be one of the most popular expanders this year. Darrin Williamson finds out why |
 Roni Music Sweet 16Group: Quality Controlsequencer for the Atari ST, TT and FalconA 16-track package from weden for the ST, TT or Falcon. Any resemblance to Creator is not coincidental |
 Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Sep 1986How to competeRobin Clarke discusses his choice of recording equipment whilst explaining how he stayed within his budget. |
 PC NotesFeature | Topic: Computing | Sound On Sound, Dec 1992 |
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