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Joreth Music Composer SystemReview | Sound On Sound, Apr 1987Software for the Commodore 64Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro. |
One for the RackReview | Home & Studio Recording, Nov 1985A sampling digital delay line from Korg - the SDD2000. |
Steinberg's The EarReview | Music Technology, Aug 1988Aural Training Software for Atari STCan you tell a minor third from a major seventh, or an augmented triad from a diminished triad? - Steinberg have a program to teach you how. Simon Trask lends an ear to a program with a difference. |
Hybrid Arts MIDITrack STReview | Music Technology, Jun 1987In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems. |
The Joreth Music Composer SystemReview | Home & Studio Recording, Aug 1986If you make extensive use of MIDI keyboards, drum machines or MIDI controlled effects, this flexible package revolutionise your studio. |
ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Sep 1985The buyer's guide that bares all. Most of the dedicated sequencers, software packages and computer music systems currently available in the UK, detailed, listed and criticised by E&MM's reviewing team. |
Shape Of Things To ComeNews | Sound On Sound, Mar 1991News of Roland's brand new megasynth, yamaha's latest effects processors, and more — all in glorious colour. |
Amusement ArcadeReview | Electronics & Music Maker, May 1986Roland MPS & MUSERoland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out. |
Computer ChecklistFeature | Topic: Buyer's Guide, Computing | Electronics & Music Maker, Dec 1985The turn of sequencers, software packages and computer music systems to receive attention from E&MM’s unique price guide. |
Everything You Ever Wanted To Know About System Exclusive - Part 8Feature Series | Topic: MIDI | Sound On Sound, Nov 1989(But Were Too Afraid To Ask!)PART 8: Martin Russ explains the circular nature of parameter editing and data dumps. |
Opcode Galaxy Plus EditorsReview | Sound On Sound, Oct 1991Tell your Mac what it's hooked up to! Save the contents of all your MIDI devices with one mouse movement! Edit 47 different devices from the comfort of your armchair! Kendall Wrightson examines Opcode's new Mac system software and the latest in editor/librarians. |
Totally MusicalReview | Sound On Sound, Jul 1986Software for Apple MacintoshMartin Russ reviews the superbly professional Southworth 'Total Music' software recorder for the Apple Macintosh computer. |
MultitaskingFeature | Topic: Computing | Music Technology, May 1988Wishing you could do more than one thing at a time may be as close as you'll ever get to doing it, but your computer is another story altogether. Harvey P Newquist III explains multitasking and some of its uses. |
Roland R8MReview | Music Technology, Apr 1990Total Percussion Sound ModuleFrom the R8 Human Rhythm Composer comes the Total Percussion Sound Module "humanising' without a sequencer? Simon Trask investigates Roland's latest beat box and a selection of sound cards. |
Music XReview | Sound On Sound, Oct 1989The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Feb 1993Hints, Tips & News From The World Of Music Software |
Easel Junior Sound Canvas Editor Accessory for Atari STGroup: Widgets |
Shape of Things to ComeNews | Sound On Sound, Oct 1989A colourful bonanza of newly released and forthcoming products unveiled... |
Choosing A Computer For Music - Part 1Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, May 1991IBM PC-Compatibles & Apple MacintoshPart 1: All four of the major computers can be used for musical applications, so which one should you choose? This month, Richard Elen puts the case for the Apple Macintosh whilst Brian Heywood advocates the benefits of the IBM PC-compatible. |
Choosing A Computer For Music - Part 2Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, Jun 1991Atari ST & Commodore AmigaPart 2. Concluding our look at the relative merits of the big four music computers, Martin Russ puts the case for the Atari ST and its variants, and Paul Overaa explains why his heart belongs to the Commodore Amiga. |
The Celtic Macintosh - Part 2Feature Series | Sound On Sound, Oct 1986AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTERPart 2. Paul D. Lehrman takes up where he left off last month in his detailed description of how he recorded and digitally mastered an entire album using an Apple personal computer, the Total Music multitrack software, and a bunch of MIDI synths. Read all about it! |
Fair FactsShow Report | Electronics & Music Maker, Jul 1985A sneak preview of what you can expect to see at this year’s British Music Fair - the first to open its doors to the public for years. |
Questionnaire Results - Part 1Group: Computer MusicianAfter several weeks of collating your replies, an explanation of the results of this revealing survey. |
Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |