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You pays yer money...Group: Control RoomFostex RD8Assessing the alternative ADAT |
The NewsNews | Making Music, Aug 1986All the new stuff, including a special feature on the soon-come Stepp digital guitar. |
Who's That Bloke With Wix?Interview | Sound On Sound, May 1993 |
Drum DragnetFeature | Electronic Soundmaker & Computer Music, Dec 1984Mammoth Electro Fest: Simmons' contender, the UP5, Yamaha's RX15 drum machine, new Digisound chips for the Drumulator, Quicksilva's Drumkit program for the BBC micro... |
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
We Can't Go On... - Part 5Feature Series | Music Technology, Aug 1987...Beating Like ThisIf conventional drum pads sound old hat, Matt Isaacson and Chris Meyer might have a few ideas for you as they check out the alternatives in our series on creative drum programming. |
FrontLinesNews | Phaze 1, Aug 1989People, Gear, Events, Gossiphappening people, gear, gossip, events |
TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
Analogue Equipment Design - Part 1Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985for Rock 'n' RollBen Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility. |
Down the TubeFeature | Topic: Live, Video / Film / Picture | Home & Studio Recording, Jun 1986John Harris and Shirley Gray take a look behind the scenes to find out how the tube is recorded and how much planning is necessary to produce the apparent unrehearsed chaos that we all know and love. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Richard PinhasInterview | Electronics & Music Maker, Sep 1982The Man and his MusicWe feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition. |
Tascam 688 MidistudioReview | Music Technology, Nov 1990Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century. |
Kurzweil K1200 ProfessionalReview | Music Technology, Jan 1992Digital KeyboardNew UK distribution and a new synth bring the Kurzweil name back into the pages of MT. Simon Trask rediscovers Kurzweil quality and playability with their K1200. |
Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |
We Can't Go On... - Part 1Feature Series | Topic: Drum Programming | Music Technology, Apr 1987...Beating like this. We start a major new series on how to make your drum machine - no matter what its spec - sound more interesting, both sonically and rhythmically. Your guides are Chris Meyer and Matt Isaacson. |
Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Hugh PadghamInterview | Home & Studio Recording, Jan 1985Producer ExtraordinaireThe genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |