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You pays yer money...

Group: Control Room

Review | The Mix, Jul 1994
Fostex RD8

Assessing the alternative ADAT

The News

News | Making Music, Aug 1986

All the new stuff, including a special feature on the soon-come Stepp digital guitar.

Who's That Bloke With Wix?

Interview | Sound On Sound, May 1993

Drum Dragnet

Feature | Electronic Soundmaker & Computer Music, Dec 1984

Mammoth Electro Fest: Simmons' contender, the UP5, Yamaha's RX15 drum machine, new Digisound chips for the Drumulator, Quicksilva's Drumkit program for the BBC micro...

Kraftwerk Revealed

Interview | Electronics & Music Maker, Sep 1981
An interview with Ralf Hutter

LA Gear

Interview | Music Technology, Oct 1989

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

Showdown

Show Report | In Tune, Jul/Aug 1985
ITs guide to the British Music Fair.

We Can't Go On... - Part 5

Feature Series | Music Technology, Aug 1987
...Beating Like This

If conventional drum pads sound old hat, Matt Isaacson and Chris Meyer might have a few ideas for you as they check out the alternatives in our series on creative drum programming.

Shape of Things to Come

News | Sound On Sound, Feb 1989

Three jam-packed pages of hot new products.

FrontLines

News | Phaze 1, Aug 1989
People, Gear, Events, Gossip

happening people, gear, gossip, events

TAC Scorpion

Review | Sound On Sound, Jul 1988
Mixing Desk

Not quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16.

Analogue Equipment Design - Part 1

Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985
for Rock 'n' Roll

Ben Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility.

Down the Tube

Feature | Topic: Live, Video / Film / Picture | Home & Studio Recording, Jun 1986

John Harris and Shirley Gray take a look behind the scenes to find out how the tube is recorded and how much planning is necessary to produce the apparent unrehearsed chaos that we all know and love.

Good Enough For The Pro?

Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993
Thoughts on MIDI's Next Decade

Richard Pinhas

Interview | Electronics & Music Maker, Sep 1982
The Man and his Music

We feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition.

Tascam 688 Midistudio

Review | Music Technology, Nov 1990

Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century.

Kurzweil K1200 Professional

Review | Music Technology, Jan 1992
Digital Keyboard

New UK distribution and a new synth bring the Kurzweil name back into the pages of MT. Simon Trask rediscovers Kurzweil quality and playability with their K1200.

In Yer Face

Interview | Topic: Live | Sound On Stage, Dec 1996
808 State Live

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

News

News | Sound International, May 1979

State of the hardware at AES, Young Adolf in Frankfurt

We Can't Go On... - Part 1

Feature Series | Topic: Drum Programming | Music Technology, Apr 1987

...Beating like this. We start a major new series on how to make your drum machine - no matter what its spec - sound more interesting, both sonically and rhythmically. Your guides are Chris Meyer and Matt Isaacson.

Edits

News | Sound On Sound, Jul 1990

More news, views, and a smidgeon of hot gossip!

Third Generation CMF Amplifiers

Review | Home & Studio Recording, Dec 1984

Hugh Padgham

Interview | Home & Studio Recording, Jan 1985
Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

Digidesign Samplecell

Review | Sound On Sound, Mar 1991

Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses.

 

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