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Grid PatternsInterview | Music Technology, Nov 1992Floyd, Eno, Gabriel... Grid?New Grid on the block |
Soundcraft Series 200BReview | Sound On Sound, Nov 1985Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers. |
Plasa NewsGroup: Access All Areas |
Robin Lumley - ProducerInterview | Home & Studio Recording, Sep 1984Having been out of the limelight for a while, Robin has again donned his producer's cap and set to work with new artists 3AM and Robin Clark. Here he talks of his involvement with them and his attitude to the home recording revolution. |
NAMM ReportShow Report | Electronics & Music Maker, Aug 1983Seven pages of new products revealed at this year's NAMM Expo in Chicago |
The Sound HouseFeature | Topic: Composing for Business, Recording Studios | Electronic Soundmaker & Computer Music, Apr 1984BBC Radiophonic WorkshopRadiophonically speaking |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Convention InventionShow Report | Music Technology, Feb 1989AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
Holger CzukayInterview | Electronics & Music Maker, May 1982An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
Alesis ADATReview | Sound On Sound, Sep 19928 -Track Digital RecorderPaul White finds his Holy Grail in a 3U rackmount package — Alesis' revolutionary ADAT, the first digital multitrack tape recorder to compete in the same price bracket as affordable analogue multitracks. |
Guy Fletcher: European ManInterview | Sound On Sound, Dec 1985Composer and studio owner Guy Fletcher had a dream: 'The European Suite' was the end result. Ted Fletcher details the work that went into its recording. |
Isao TomitaInterview | Electronics & Music Maker, Feb 1983An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle |
Digidesign Pro ToolsFeature | Sound On Sound, Jan 1992"It's Cruel To Make A Computer Work This Hard..."Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes... |
Incoming DataNews | Music Technology, Jun 1993 |
Five Days in FrankfurtShow Report | One Two Testing, Apr 1984Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts. |
Incoming DataNews | Music Technology, Feb 1993 |
Shape of Things to ComeNews | Sound On Sound, Sep 1989A pictorial taste of some of the hot new products unveiled at last month's British Music Fair. |
Frankfurt ReportShow Report | Micro Music, Apr/May 1989The most comprehensive review of Europes biggest Music Fair |
The Hitch-Hiker's Guide To The WorkshopFeature | Topic: Recording Studios | Sound International, Apr 1979Richard Elen visits the BBC's Radiophonic Workshop and hitches a ride through 21 years of past and present music and effects production from Quatermass to Blake's 7. |
49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |