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Search results
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 Testbench - Davoli UP100+100 Dual Slave AmpGroup: SoundCheck |
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 Getting The Best From Your P.A.Feature | Topic: Live | Music UK, Apr 1983Sounding good with what you've got |
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 Citronic SM650Group: Quality ControlProfessional mixing deskProfessional DJ mixing starts here... |
 What's NewNews | Home & Studio Recording, Jun 1985at the APRS ShowA quick roundup of who's exhibiting what at this year's APRS show. |
 The Shape of Things to ComeNews | Sound On Sound, Oct 1988More news of forthcoming products to make you drool and tempt you to dig even deeper into your pockets. |
 Peavey RMC 4512Review | Music Technology, Dec 1987MIDI Foot ControllerWith both hands fully occupied on stage it seems a shame to use your feet for nothing but standing on; Rick Davies tries using his for controlling MIDI equipment. |
 State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
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 Soundcraft Series 200 8-4-2 MixerReview | Home & Studio Recording, Feb 1984 |
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 Dynamic Noise FilterFeature | Topic: Electronics / Build | Home & Studio Recording, Sep 1983Build this noise reduction project |
 Mark Of The Unicorn 7SReview | Music Technology, Nov 1991MIDI MixerMIDI has been slowly creeping into mixing desks for some time now, but this American mixer goes all the way. Vic Leonard mixes with MIDI. |
 VideotekFeature | Topic: Video / Film / Picture | Electronics & Music Maker, Oct 1983Video Makers In ActionThe Watershed Arts video production unit in focus |
 Made in Japan - Part 2Feature Series | Topic: Design, Development & Manufacture | Music Technology, Dec 1987The Editor's TaleThe second part of our investigation of Japan concentrates on the Roland organisation; Tim Goodyer meets mystery, "Mr Roland" and Sally. |
 Bandwidth BandwagonFeature | Topic: Sound Fundamentals | Music Technology, Mar 1987It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures. |
 Fast ForwardNews | Home & Studio Recording, Jan 1986 |
 3G HP200 Power AmplifierReview | Recording Musician, Dec 1992A compact, well-specified amplifier suitable for studio monitoring and small PA applications. |
 PA:CE MP175 12 Channel MixerGroup: SoundCheck |
 Simmons SPM8:2Review | Home & Studio Recording, May 1987MIDI Programmable MixerA programmable mixer that will find a good home in a home studio. |
 MTR 16-8-2 MixerReview | Sound On Sound, Aug 1989With 32 inputs available in remix mode, MTR reckon their 16-8-2 mixer has got what it takes to woo customers away from the ever-popular Seck 1882. But is its in-line design as easy to use? Gareth Stuart reports. |
 Patchbay PowerFeature | Making Music, May 1987Look at all those leads, what a mess, eh? You may well need a patchbay, a simple bit of gear that'll tidy everything up |
 RusslingsOpinion | Topic: Sampling | Sound On Sound, Mar 1992Sampling clichés and how to avoid them. |
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