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SCI Model 64 SequencerReview | Electronics & Music Maker, Jun 1984Sequential Circuits' MIDI sequencer for the Commodore 64 looks like a bargain at only £185. David Ellis checks out the reality. |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
Pumping IronGroup: Control RoomPeavey XRD680S/Hi-Sys 1Powerful, portable PA system |
Sound On StageFeature | Topic: Live | Electronics & Music Maker, May 1982PA — An Introductory Appraisal |
C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
Yamaha CS-01Group: Cheap Synths |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Teac 4-TrackReview | One Two Testing, Nov 1982Recording: PortastudioCASSETTE LOAD: latest TEAC tape deck/four track/DBX noise reduction/review... READ |
MTR DNG-ONE Dual GateReview | Sound On Sound, Aug 1986This UK company's stereo noise gate offers many of the functions contained in top class gates but at a budget price. Martin Sheehan assesses its value. |
Home Electro-MusicianFeature Audio | Topic: Home Studio | Electronics & Music Maker, Mar 1982Gerry Taylor |
JBL's Control Micro MonitorsReview | Recording Musician, Feb 1993 |
New MusicFeature | Topic: Education, Recording Studios | Sound International, Sep 1978Electronics at East AngliaA report on the electronic music studio at the University of East Anglia. |
Teac A-3440Feature | Home & Studio Recording, May 19854 Channel Multitrack Tape DeckNow it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440. |
The Porta Two has LandedReview | Sound On Sound, Dec 1986Tascam Porta TwoGareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it. |
Hard Disk Recording TricksFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Aug 1993 |
TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Soundtracs Solo MIDI Mixing ConsoleReview | Recording Musician, Jul 1992Not so much a budget console as a professional mixing desk at a surprisingly low price. |
Micromusic - Part 3Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Feb 1982Polyphonic Sequencing with the ZX81 |
Fostex E16 MultitrackReview | Music Technology, Nov 198616-track Tape RecorderEver since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile. |
Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |