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SCI Model 64 Sequencer

Review | Electronics & Music Maker, Jun 1984

Sequential Circuits' MIDI sequencer for the Commodore 64 looks like a bargain at only £185. David Ellis checks out the reality.

State of the Industry

Show Report | Home & Studio Recording, May 1987

Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology.

Pumping Iron

Group: Control Room

Review | The Mix, May 1995
Peavey XRD680S/Hi-Sys 1

Powerful, portable PA system

Cutec MR402

Review | Electronics & Music Maker, Jun 1983

Cassette-based recording

Sound On Stage

Feature | Topic: Live | Electronics & Music Maker, May 1982
PA — An Introductory Appraisal

C-1 and you've seen 'em all

Review | Micro Music, Aug/Sep 1989

John Renwick puts Yamaha's super-computer through it's paces

Yamaha CS-01

Group: Cheap Synths

Review | One Two Testing, Dec 1983

Carry On Mixing

Review | Recording Musician, Feb 1993
Soundcraft Spirit Folio

A quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home.

Teac 4-Track

Review | One Two Testing, Nov 1982
Recording: Portastudio

CASSETTE LOAD: latest TEAC tape deck/four track/DBX noise reduction/review... READ

MTR DNG-ONE Dual Gate

Review | Sound On Sound, Aug 1986

This UK company's stereo noise gate offers many of the functions contained in top class gates but at a budget price. Martin Sheehan assesses its value.

Home Electro-Musician

Feature Audio | Topic: Home Studio | Electronics & Music Maker, Mar 1982
Gerry Taylor

JBL's Control Micro Monitors

Review | Recording Musician, Feb 1993

New Music

Feature | Topic: Education, Recording Studios | Sound International, Sep 1978
Electronics at East Anglia

A report on the electronic music studio at the University of East Anglia.

Teac A-3440

Feature | Home & Studio Recording, May 1985
4 Channel Multitrack Tape Deck

Now it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440.

Organ Talk

Feature | Topic: Computing | Electronics & Music Maker, Sep 1982
Computerscope

The Past And Present Of PA

Feature | Topic: Live | Making Music, Oct 1987
PA History

The Porta Two has Landed

Review | Sound On Sound, Dec 1986
Tascam Porta Two

Gareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it.

Hard Disk Recording Tricks

Feature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Aug 1993

TAC Scorpion

Review | Sound On Sound, Jul 1988
Mixing Desk

Not quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16.

Tom Hidley - Studio Designer

Interview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986

Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby.

Soundtracs Solo MIDI Mixing Console

Review | Recording Musician, Jul 1992

Not so much a budget console as a professional mixing desk at a surprisingly low price.

Micromusic - Part 3

Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Feb 1982
Polyphonic Sequencing with the ZX81

Fostex E16 Multitrack

Review | Music Technology, Nov 1986
16-track Tape Recorder

Ever since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile.

Mind Over Music

Feature | Electronics & Music Maker, Apr 1984

The psychology of piano-playing.

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

 

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