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Test TonesFeature | Topic: Maintenance / Repair / Modification, Recording | Home & Studio Recording, Apr 1984How to line up your mixer and recorder for improved recordings. |
Hot ShotReview | Sound On Sound, Nov 1990TAC Bullet ConsoleIs TAC's versatile Bullet a new big gun in the compact console market? Dave Lockwood reports. |
The Tascam Way - Part 2Review Series | Sound International, Jun 1978ConclusionThe Teac 80-8 tape machine, Tascam Model 5 mixer and dbx DX-8 noise-reduction unit: last month we examined them individually, this month we look at them in combination. |
Dr T's TigerReview | Music Technology, Jun 1990Never one to use a word when an acronym will do, Dr T's have christened their new sequencer The Integrated Graphic Editor and Recorder. Glen Darcy puts a Tiger in his tank. |
Alpha-Beta!Review | Music UK, Apr 1983Alpha Syntauri ReportDave Crombie tries the alphaSyntauri synthesiser |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, May 1984Olivier Behzadi's Fostex A8-based studio. |
Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
Turbo ChargedReview | Micro Music, Oct/Nov 1989John Renwick takes an internal sound chip synth program for the Atari ST for a test drive |
Korg Professional Performance SeriesPreview | Music Technology, Apr 1988M1 Music Workstation, S1 MIDI Production WorkstationThe workstation concept comes of age. Bob O'Donnell previews Korg's Professional Performance Series Music Workstation keyboard and Production Workstation. |
Akai MG1212Group: Recording WorldStudio TestCould this be the Megaportastudio. Jim Betteridge went forth and recorded |
Fast ForwardNews | The Mix, Aug 1994No hype, no waffle - just tomorrow's products todayYour guide to tomorrow’s new toys |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
Fostex 2412Review | Sound On Sound, Aug 199224-Channel Multitrack MixerFostex's new 24-channel 12-group 2412 mixer packs big console features into a compact frame. Dave Lockwood tries it on for size. |
Using MicrophonesFeature | Topic: Acoustics, Microphones, Recording | Home & Studio Recording, Jan 1984Tips to help you achieve that 'modern' drum sound. |
Sub Woofers - Part 2Feature Series | Home & Studio Recording, Jan 1985Control RoomA last look at how to extend the low bass response of your studio monitors. |
Concert Touring NewsGroup: Access All Areas |
Soundcraft 6000 MixerReview | Sound On Sound, Jun 1990The Ideal 24-track Partner?It may not be a new product, but recent events in the world of 24-track recording look like giving the Soundcraft 6000 console a newfound popularity. David Mellor investigates. |
Hughes & Kettner Bass Master Tube Pre-ampReview | Recording Musician, Feb 1993 |
Allen & Heath S2Review | Sound On Sound, Sep 1991Recording MixerNot content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size. |