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The Logical Choice?Review | Sound On Sound, Oct 1993Soundtracs Solo Logic Automated Mixing ConsoleA lot of bang for the bucks, and MIDI control too! |
Off The ShelfReview | Home & Studio Recording, Oct 1986Royd A7 monitorsDesigned originally as bookshelf speakers, the A7 have found popularity as a near-field monitor. |
Dod Mod II: ChorusFeature | Topic: Maintenance / Repair / Modification | Polyphony, Jan/Feb 1981 |
Fast ForwardNews | The Mix, Mar 1995No hype, no waffle - just tomorrow’s products todayTomorrow's hot products previewed |
Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Vesta Fire GAE-110 Graphic Analyser/EqualiserReview | Home & Studio Recording, Apr 1984 |
Letter From LAFeature | Topic: Recording Studios | Sound International, Jul 1978Editor gets sun-tan; justifies expenses, etc. |
The Starting BlockReview | Electronic Soundmaker & Computer Music, Feb 1985Datel Sound SamplerDatel's Spectrum-compatible Sound Sampler offers a genuine introduction to the techniques of sound sampling. We listen in. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Apr 1993 |
Vero Project 5: Scratch FilterFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, May 1981 |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Roland S770 - Part 3Review Series | Music Technology, Aug 1990Digital SamplerIn the final instalment of this three-part review, Simon Trask takes a look at the most important aspect of Roland's super sampler - the sampling itself. |
Mission control - Part 2Group: Control RoomYamaha ProMix 01The second part of our in-depth review |
Allen & Heath SpectrumReview | Sound On Sound, Mar 1991With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out. |
Secondhand TapingFeature | Topic: Buyer's Guide | Making Music, Jul 1987Recording GearThere are bargains in the land of non-new taping equipment, specially if you like unfashionable effects |
Lab Notes: Seque and Ye Shall FindFeature | Topic: Computing, Sequencing | Polyphony, Sep/Oct 1978Digital Sequencing Software |
The French ConnectionInterview | International Musician & Recording World, Mar 1985Tony Mills discusses sounds and concepts with the Frenchman who made instrumental synthesizer music respectable |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Quinsoft K4 MagicianReview | Music Technology, Nov 1991Atari ST SoftwareFew players get the best out of their synths these days without the help of a software editor. Gordon Reid boots up his ST and goes to work on his Kawai K4. |
Soundproof Window ShutterFeature | Topic: Construction / Build | Home & Studio Recording, May 1985Keep the world at bay with this simple but effective DIY design. |