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Painting by NumbersFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Sep 1985The story behind E&MM's most striking front cover for years. Dan Goldstein talks to Les Arnett, graphic artist extraordinaire, on the creation of a music/cornputer/video masterpiece. |
Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Star QualityReview | Sound On Sound, Sep 1993Studiomaster Star System MixerIs it an analogue modular synth? No! It's a mixer with a difference. |
Home TapingGroup: Recording WorldChris Maillard samples Dave Yorath and his extensive MIDI system |
Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
MicromusicFeature | Topic: Computing | Electronics & Music Maker, Mar 1982BASIC music loading program for the ZX81 |
The Barry BoxReview | Music Technology, Mar 1987Not quite a name, not quite a musical instrument, but a useful tool for sampling and investigating sound with the help of a BBC B computer, a couple of controls, and some friendly advice from Uncle Ian Waugh. |
Compu-Mates R100 DrumDroidReview | Music Technology, Feb 1988A new programming aid for the Kawai R100 takes the form of DrumDroid software for the Atari ST. Scott Gershin becomes a "mouse drummer". |
How to Choose A StudioFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Advice on what to look for in a commercial studio when considering your first recording venture. |
Fostex X28Review | Music Technology, Feb 1992Cassette MultitrackerWhen cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful. |
Steinberg Cubase 3.0 - Part 1Review Series | Sound On Sound, Apr 1992In Part 1 of a 2-part review, Cubase enthusiast David Mellor looks at the fully matured version of one of the world's favourite sequencers. |
Sample!Review | Micro Music, Jan 1990We look at internal sampling packages for all the top micros in this definitive round up |
C-Lab Human TouchReview | Sound On Sound, Nov 1989Dave Lockwood reviews this aptly named add-on audio triggering unit for C-Lab's highly popular Creator/Notator sequencing system. |
C-Lab MidiaReview | Music Technology, May 1991Intended to help you find your way around MIDI, Midia forms part of C-Lab's educational ST software programme. Ian Waugh finds it indispensable as a MIDI monitor. |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
How Many Watts?Feature | Topic: Live | Making Music, Nov 1986To fill a room. Well, it depends. To find out just what, use those fingers (on those pages). |
Making TracksReview | Home & Studio Recording, Dec 1986Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Mixer BasicsFeature | Topic: Mixing | Recording Musician, Jan 1993A step-by-step guide to the workings of a typical mixing console. |
Phonic PMC 240A Mixing DeskReview | Recording Musician, May 1993This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer? |
Moving Up To Eight TrackFeature | Topic: Home Studio, Recording | Making Music, Feb 1987The problems and pleasures of home studio upgrading. |
The Shape of Things to ComeNews | Sound On Sound, Apr 1988Check out some of the forthcoming and recently released new products from the hi-tech and recording fields. |