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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
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New issues that have been donated or scanned for us this month.
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Search results
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 U2: The Unforgettable TourFeature | Topic: Live | Recording Musician, Nov 1992Behind the scenes on the tour of one of the world's most popular live bands |
 Roland S750 SamplerReview | Music Technology, Dec 1991Stereo Digital SamplerIf Roland's S770 super sampler presented too high a target for many of us, the S750 may be the news we've been waiting for. Simon Trask investigates the challenger to the Akai S1000 crown. |
 Sinclair QLFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jun 1984Often rumoured, seldom seen |
 Hands On: Cassette MultitracksFeature | Topic: Recording | Sound On Sound, Oct 1992The multitrack cassette recorder provides an excellent platform for learning the essential skills of multitrack recording. David Mellor explains how to get the best out of them. |
 Cabinets SurveyFeature | Topic: Buyer's Guide | International Musician & Recording World, Jul 1975Choosing the right cabinet for the right job can be difficult. IM surveys what's available. |
 Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
 System ExclusiveReview | Electronics & Music Maker, Oct 1985Music System SoftwareA software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird. |
 Passport Required?Review | Electronic Soundmaker & Computer Music, Aug 1985Passport MIDI/4, PolywriterTwo new software packages |
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 Drum Programming - Part 14Feature Series | Topic: Drum Programming | Sound On Sound, Jun 1993Going Live |
 Sounding Out the Micro - Part 1Group: Computer Musician |
 Night flight to the oasisGroup: In SessionEngineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
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 Audio Technica AT-RMX64Review | Home & Studio Recording, Oct 1985Multitrack Cassette RecorderNeville Unwin puts this sophisticated home studio package through its paces. |
 Programmable Audio PatchbaysReview | Sound On Sound, Apr 1990Peavey MAP8X4, Icon Research APB1Ian Gilby takes a look at two different approaches to the design of a MIDI-controlled audio patchbay: the Peavey MAP8X4 and Icon Research APB1. |
 Mixdown Amiga SoftwareReview | Electronics & Music Maker, Jul 1986Software for the AmigaA British company have a comprehensive sampling package for Commodore's Amiga. Does it set a standard against which subsequent Amiga software will be judged? Chris Jenkins finds out. |
 Apple NotesFeature | Topic: Computing | Sound On Sound, Sep 1993 |
 Citronic SM650Group: Quality ControlProfessional mixing deskProfessional DJ mixing starts here... |
 Tascam 644 MidistudioReview | Music Technology, Jul 1990From the manufacturers of the first cassette multitracker comes the Midistudio: a single unit integrating MIDI into a four-track cassette recorder. Nigel Lord calls it "revolutionary". |
 Sampling: The 30dB RuleFeature | Topic: Sampling, Sound Fundamentals | Sound On Sound, May 1986Are software-based visual editing displays for samplers a help or hindrance? And what's significant about 30dB? Consultant Martin Russ reveals all... |
 Separate OutputsFeature | Topic: Sampling | Sound On Sound, Nov 1987The Pros And ConsSeasoned programmer Paul Wiffen reveals the truth about separate voice outputs on samplers. Are they really desirable or are they just a nuisance? And what happens to the polyphony when you use them? We tell you what no others dared!! |
 Willow OneFeature | Topic: Construction / Build, Home Studio | Electronic Soundmaker & Computer Music, May 1984Build a home recording studio |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
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