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How It Works: Multitrack - Part 8

Feature Series | Topic: Recording | Sound On Sound, Mar 1988

From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it.

Mixing for the Small Gig - Part 1

Feature Series | Topic: Live, Mixing | Making Music, Aug 1986

How to understand those mixer type things that put all the noises through the PA. S'easy.

Shape Of Things To Come

News | Sound On Sound, Jan 1991

Our regular round-up of whats new in the world of hi-tech music and recording.

Mission control - Part 1

Group: Control Room

Review Series | The Mix, Jan 1995
Yamaha ProMix 01

Groundbreaking digital mixer

Marantz Professional PMD740 Multitracker

Review | Music Technology, Jun 1993

The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it?

How To Become An Atari ST Power User - Part 1

Feature Series | Topic: Computing | Sound On Sound, Aug 1991
Hardware

The first part of a short series in which Martin Russ expands, exploits and explores the Atari ST computer.

Steinberg Avalon

Review | Music Technology, Dec 1989

You've got the perfect S900 snare sample and you've just bought an Emulator III - you either start again or buy Avalon. Vic Lennard looks at a program which could become indispensable for sample editing and management.

Buzz

News | International Musician & Recording World, May 1985

The day of the digital, a Casio commendation, getting totally wired, winning a mixer and whacking a Zildjian

Digidesign Deck

Review | Sound On Sound, Nov 1990

Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates.

Apple Notes

Feature | Topic: Computing | Sound On Sound, May 1993

The New Standard?

Review | Sound On Sound, Nov 1988
Akai S1000

No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000.

Build A Bass Guitar Pre-Amp

Feature | Topic: Electronics / Build | International Musician & Recording World, Jun 1975

Lynex 16-bit Sampler

Review | Sound On Sound, Jan 1988

It's British, it works with an Atari ST computer, it gives very high quality sound and it won't break the bank! Ian Gilby presents a sneak preview of this forthcoming 16-bit stereo sampling machine.

Rob's Revenge

Interview | International Musician & Recording World, Oct 1986

The urbane Mr Palmer talks to Hank Bordowitz about crossing over from cult status to general acceptance.

Greengate

Review | One Two Testing, Sep 1986

Computer cobblers compounded

FZ Update

Review | Micro Music, Feb 1990

Paul Wiffen reviews the new Casio FZ Sampler

Images Of Sound

Review | Sound On Sound, Jan 1986

Paul Gilby outlines JVC's AV Graphic Synthesizer which has some rather novel ways of representing music in a visual sense.

Under New Orders

Interview | Music Technology, Apr 1994

More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992
Hints, Tips & News From The World of Music Software

This month, helpful hints for users of Steinberg, Opcode, and Dr. T music software.

Shape of Things to Come

News | Sound On Sound, Oct 1989

A colourful bonanza of newly released and forthcoming products unveiled...

How To Assemble Composite Bulk Dumps

Feature | Topic: MIDI | Sound On Sound, May 1988

Ever wished you could store and recall all the control settings, sounds, drum patterns and sequences used for a song in one fell swoop? Martin Russ turns fantasy into reality using MIDI’s powerful System Exclusive messages.

New Order

Interview | Micro Music, Jan 1990

Leslie Bunder talks to Steve Morris from top Indie band New Order

Musical Micro

Feature | Topic: Computing, MIDI, Sequencing | International Musician & Recording World, Feb 1985
MIDI

Tony Mills on digital sequencers

Syntron

Review | One Two Testing, Dec 1985

updated drum module for Commodore

Amusement Arcade

Review | Electronics & Music Maker, May 1986
Roland MPS & MUSE

Roland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out.

 

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