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How It Works: Multitrack - Part 8Feature Series | Topic: Recording | Sound On Sound, Mar 1988From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it. |
Mixing for the Small Gig - Part 1Feature Series | Topic: Live, Mixing | Making Music, Aug 1986How to understand those mixer type things that put all the noises through the PA. S'easy. |
Shape Of Things To ComeNews | Sound On Sound, Jan 1991Our regular round-up of whats new in the world of hi-tech music and recording. |
Mission control - Part 1Group: Control RoomYamaha ProMix 01Groundbreaking digital mixer |
Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
How To Become An Atari ST Power User - Part 1Feature Series | Topic: Computing | Sound On Sound, Aug 1991HardwareThe first part of a short series in which Martin Russ expands, exploits and explores the Atari ST computer. |
Steinberg AvalonReview | Music Technology, Dec 1989You've got the perfect S900 snare sample and you've just bought an Emulator III - you either start again or buy Avalon. Vic Lennard looks at a program which could become indispensable for sample editing and management. |
BuzzNews | International Musician & Recording World, May 1985The day of the digital, a Casio commendation, getting totally wired, winning a mixer and whacking a Zildjian |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Apple NotesFeature | Topic: Computing | Sound On Sound, May 1993 |
The New Standard?Review | Sound On Sound, Nov 1988Akai S1000No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000. |
Build A Bass Guitar Pre-AmpFeature | Topic: Electronics / Build | International Musician & Recording World, Jun 1975 |
Lynex 16-bit SamplerReview | Sound On Sound, Jan 1988It's British, it works with an Atari ST computer, it gives very high quality sound and it won't break the bank! Ian Gilby presents a sneak preview of this forthcoming 16-bit stereo sampling machine. |
Rob's RevengeInterview | International Musician & Recording World, Oct 1986The urbane Mr Palmer talks to Hank Bordowitz about crossing over from cult status to general acceptance. |
Images Of SoundReview | Sound On Sound, Jan 1986Paul Gilby outlines JVC's AV Graphic Synthesizer which has some rather novel ways of representing music in a visual sense. |
Under New OrdersInterview | Music Technology, Apr 1994More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992Hints, Tips & News From The World of Music SoftwareThis month, helpful hints for users of Steinberg, Opcode, and Dr. T music software. |
Shape of Things to ComeNews | Sound On Sound, Oct 1989A colourful bonanza of newly released and forthcoming products unveiled... |
How To Assemble Composite Bulk DumpsFeature | Topic: MIDI | Sound On Sound, May 1988Ever wished you could store and recall all the control settings, sounds, drum patterns and sequences used for a song in one fell swoop? Martin Russ turns fantasy into reality using MIDI’s powerful System Exclusive messages. |
New OrderInterview | Micro Music, Jan 1990Leslie Bunder talks to Steve Morris from top Indie band New Order |
Musical MicroFeature | Topic: Computing, MIDI, Sequencing | International Musician & Recording World, Feb 1985MIDITony Mills on digital sequencers |
Amusement ArcadeReview | Electronics & Music Maker, May 1986Roland MPS & MUSERoland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out. |