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Fostex 260 Multitracker

Review | Home & Studio Recording, May 1986

A worthy successor to the long running 250 and at no extra cost.

Tascam Model 388

Group: Recording World

Review | International Musician & Recording World, Aug 1985
Studio Test

Allen & Heath Brenell Eight Track Package - Mod II Mixer - Part 1

Review Series | Sound International, Jan 1979
Equipment

Allen and Heath/Brenell release one of their beautiful Mod II mixers into the grateful clutches of Mel Lambert, who lets you know warrisallabout.

Lynx 96

Feature | Topic: Computing | Electronic Soundmaker & Computer Music, Apr 1984

Beastly review?

Technically Speaking

Feedback | Music Technology, Oct 1992

Stagecoaching - Part 1

Feature Series | Topic: Live, Performing, Sequencing | Music Technology, Dec 1992

Sequencer survival guide

Tannoy DC200 Monitors

Review | Home & Studio Recording, May 1987

More than just a hi-fi speaker. These 'dual concentric' models make the grade as serious home studio monitors.

Tascam MM200

Review | Sound On Sound, May 1993
Keyboard Mixer

Gateway's Sound Advice

Feedback | Sound On Sound, Dec 1986

The first of a regular column where the expert teaching staff of the Gateway School Of Recording & Music Technology answer readers' problems.

Yamaha MT120

Review | Sound On Sound, Feb 1992
4-track Cassette Recorder

Yamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before.

Working with Video

Feature | Topic: Video / Film / Picture | Electronics & Music Maker, Jun 1981

Studio Focus

Feature | Topic: Recording Studios | Electronics & Music Maker, Jul 1983
Pyramid

Pyramid 8-track studio

APRS Preview

Show Report | The Mix, Jun 1995

ACES B1816

Review | Sound On Sound, Feb 1986
Could it be the perfect match?

Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300.

Canary Stereo 18 Channel B Series Mixer

Group: SoundCheck

Review | International Musician & Recording World, Nov 1975

Get It Out Of Your System - Part 2

Feature Series | Topic: Home Studio | Home & Studio Recording, Apr 1986

The concluding part of our short series on studio wiring based around the Fostex B16.

A Handful Of Aces

Review | Home & Studio Recording, Apr 1986
Aces B1816

A cost effective in-line mixing console aimed at the budget 16-track user.

Studiomaster Star System

Group: Quality Control

Review | Music Technology, Oct 1993
8:4:2 mixer

The ergonomics of the small mixer redefined

Soundcraft Spirit Auto

Review | Music Technology, Jul 1993
Mixing Desk

There’s a 16:8:2 and a 24:8:2, and both have MIDI-controlled automation. Furthermore, Steinberg have written a Cubase-like automation program for your ST, so there’s even less need for any of that awkward stretching. Vic Lennard enters into the Spirit.

Power in the Near-Field

Review | Home & Studio Recording, Sep 1986
Audio Electronics Powered Monitors

A pair of these wouldn't go amiss on the end of anyones mixing console.

Allen & Heath 1221

Review | Electronics & Music Maker, Nov 1982

Inkel MX991

Review | In Tune, Dec 1985
8 Channel Mixer

Sounding Off

Opinion | Sound On Sound, Jul 1990
Ten Computer Commandments

Barry Lewis supplies a light-hearted version of the Ten Commandments for computer users.

Allen & Heath System 8 Mixer

Review | Home & Studio Recording, Nov 1983

Recording Techniques - Part 6

Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990
The Mixing Console (2)

Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment.

 

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