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Fostex 260 MultitrackerReview | Home & Studio Recording, May 1986A worthy successor to the long running 250 and at no extra cost. |
Tascam Model 388Group: Recording WorldStudio Test |
Allen & Heath Brenell Eight Track Package - Mod II Mixer - Part 1Review Series | Sound International, Jan 1979EquipmentAllen and Heath/Brenell release one of their beautiful Mod II mixers into the grateful clutches of Mel Lambert, who lets you know warrisallabout. |
Technically SpeakingFeedback | Music Technology, Oct 1992 |
Stagecoaching - Part 1Feature Series | Topic: Live, Performing, Sequencing | Music Technology, Dec 1992Sequencer survival guide |
Tannoy DC200 MonitorsReview | Home & Studio Recording, May 1987More than just a hi-fi speaker. These 'dual concentric' models make the grade as serious home studio monitors. |
Gateway's Sound AdviceFeedback | Sound On Sound, Dec 1986The first of a regular column where the expert teaching staff of the Gateway School Of Recording & Music Technology answer readers' problems. |
Yamaha MT120Review | Sound On Sound, Feb 19924-track Cassette RecorderYamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before. |
Working with VideoFeature | Topic: Video / Film / Picture | Electronics & Music Maker, Jun 1981 |
Studio FocusFeature | Topic: Recording Studios | Electronics & Music Maker, Jul 1983PyramidPyramid 8-track studio |
APRS PreviewShow Report | The Mix, Jun 1995 |
ACES B1816Review | Sound On Sound, Feb 1986Could it be the perfect match?Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300. |
Canary Stereo 18 Channel B Series MixerGroup: SoundCheck |
Get It Out Of Your System - Part 2Feature Series | Topic: Home Studio | Home & Studio Recording, Apr 1986The concluding part of our short series on studio wiring based around the Fostex B16. |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
Studiomaster Star SystemGroup: Quality Control8:4:2 mixerThe ergonomics of the small mixer redefined |
Soundcraft Spirit AutoReview | Music Technology, Jul 1993Mixing DeskThere’s a 16:8:2 and a 24:8:2, and both have MIDI-controlled automation. Furthermore, Steinberg have written a Cubase-like automation program for your ST, so there’s even less need for any of that awkward stretching. Vic Lennard enters into the Spirit. |
Power in the Near-FieldReview | Home & Studio Recording, Sep 1986Audio Electronics Powered MonitorsA pair of these wouldn't go amiss on the end of anyones mixing console. |
Allen & Heath 1221Review | Electronics & Music Maker, Nov 1982 |
Sounding OffOpinion | Sound On Sound, Jul 1990Ten Computer CommandmentsBarry Lewis supplies a light-hearted version of the Ten Commandments for computer users. |
Allen & Heath System 8 MixerReview | Home & Studio Recording, Nov 1983 |
Recording Techniques - Part 6Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990The Mixing Console (2)Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment. |