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Studiomaster Series II MixerReview | Sound On Sound, Jun 1987Studiomaster were one of the first established mixer manufacturers to incorporate MIDI facilities in one of their desks and to mate it to a personal computer. Mark Badger assesses whether the marriage is successful. |
Soundtracs MR MixerReview | Sound On Sound, Mar 1986Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model. |
Soundcraft Series 200BReview | Sound On Sound, Nov 1985Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers. |
Concert Touring NewsGroup: Access All Areas |
Life On The FarmInterview | Music Technology, Oct 1991The Farm: taking pop to football louts or bringing hooliganism to the pop charts? Tim Goodyer gets casual with keyboardsman Ben Leach and tries to find out. |
Peter Wilson - Record ProducerInterview | Home & Studio Recording, Jun 1984Producer of Style Council, The Jam and Comsat Angels explains his working techniques in the studio, production skills and the ins and outs of various effects. |
Allen & Heath SpectrumReview | Sound On Sound, Mar 1991With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out. |
Which One Would You Choose?Review | Topic: Recording | Sound On Sound, Mar 1988Three 4-tracksIs it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'. |
Hill MultimixReview | Home & Studio Recording, Jul 1984 |
D/A converterGroup: Mixing It! |
Sound BitesFeedback | Recording Musician, Feb 1993More tricks, more techniques and more general sound advice. |
Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
AmericaNews | Electronics & Music Maker, Dec 1981 |
Feedback!Feature | Topic: Live, Microphones | Sound On Stage, Nov 1996Why It Occurs & How To Prevent It |
Night flight to the oasisGroup: In SessionEngineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
Practical PA - Part 1Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996Part 1: Introduction To PA |
Oliver's armyGroup: Mixing It! |
Six AppealReview | Sound On Sound, Dec 1989Sansui WSX1 6-Track RecorderSansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out. |
Fostex 250 MultitrackerUser Report | Home & Studio Recording, May 1984 |
Track Record: The DamnedGroup: Recording WorldJim Betteridge, The Damned and the man who made Eloise |