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Studiomaster Series II Mixer

Review | Sound On Sound, Jun 1987

Studiomaster were one of the first established mixer manufacturers to incorporate MIDI facilities in one of their desks and to mate it to a personal computer. Mark Badger assesses whether the marriage is successful.

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

Soundcraft Series 200B

Review | Sound On Sound, Nov 1985

Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.

Concert Touring News

Group: Access All Areas

News | Sound On Stage, Nov 1996

In-Ear Monitoring

Review | Sound On Stage, Nov 1996
Garwood System 3

Life On The Farm

Interview | Music Technology, Oct 1991

The Farm: taking pop to football louts or bringing hooliganism to the pop charts? Tim Goodyer gets casual with keyboardsman Ben Leach and tries to find out.

Peter Wilson - Record Producer

Interview | Home & Studio Recording, Jun 1984

Producer of Style Council, The Jam and Comsat Angels explains his working techniques in the studio, production skills and the ins and outs of various effects.

Allen & Heath Spectrum

Review | Sound On Sound, Mar 1991

With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out.

Akai MG1212

Review | Home & Studio Recording, Feb 1985
12 Channel Mixer/12 Track Recorder

Which One Would You Choose?

Review | Topic: Recording | Sound On Sound, Mar 1988
Three 4-tracks

Is it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'.

Hill Multimix

Review | Home & Studio Recording, Jul 1984

D/A converter

Group: Mixing It!

Interview | The Mix, Dec 1994

Sound Bites

Feedback | Recording Musician, Feb 1993

More tricks, more techniques and more general sound advice.

News

News | International Musician & Recording World, Oct 1986

Another month's worth of hot products.

Marantz Professional PMD740 Multitracker

Review | Music Technology, Jun 1993

The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it?

Fast Forward

News | Home & Studio Recording, Jul 1986

What's new in the recording world.

America

News | Electronics & Music Maker, Dec 1981

Feedback!

Feature | Topic: Live, Microphones | Sound On Stage, Nov 1996
Why It Occurs & How To Prevent It

Night flight to the oasis

Group: In Session

Feature | Topic: Live | The Mix, Jan 1995

Engineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording

Practical PA - Part 1

Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996
Part 1: Introduction To PA

Oliver's army

Group: Mixing It!

News | The Mix, Oct 1994

Short takes

News | The Mix, May 1995

The Mix's terrestrial bulletin board

Six Appeal

Review | Sound On Sound, Dec 1989
Sansui WSX1 6-Track Recorder

Sansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out.

Fostex 250 Multitracker

User Report | Home & Studio Recording, May 1984

Track Record: The Damned

Group: Recording World

Feature | Topic: Classic Tracks | International Musician & Recording World, Apr 1986

Jim Betteridge, The Damned and the man who made Eloise

 

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