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Search results
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 Kit Wolven on Heavy MetalInterview | Home & Studio Recording, May 1987HM from the control room chair. |
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 Pet SoundsReview | Recording Musician, Aug 19923G Mynah Mixing ConsoleMike Simmons tries out this cost-effective live sound console and finds it also has home studio applications. |
 A Day in the Life of a MIDI StudioFeature | Topic: Recording Studios | Sound On Sound, Dec 1987Ever wondered what goes on in a commercial 16-track studio once the red light comes on? Roger Jackson of West Coast Music reveals all... |
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 Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
 Fast ForwardNews | The Mix, Dec 1994No hype, no waffle - just tomorrow's products todayA peek at what’s new |
 Cassette Multitrackers - Buyer's GuideFeature | Recording Musician, Jul 1992Every Current Model ReviewedAll you need to know about choosing a cassette multitrack, plus concise reviews of every current model on the market. |
 Yamaha MC1604Review | Home & Studio Recording, Feb 1986A mixer that is equally at home on the road and in the studio. |
 Son et LumiereFeature | Topic: Lighting, Live | Sound On Sound, Oct 1993Jean-Michel Jarre In ConcertWe go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together. |
 Recording NewsGroup: Frankfurt |
 Echoes From The Observatory - Part 2Interview Series | Home & Studio Recording, Jan 1985The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire. |
 Echoes From The Observatory - Part 1Interview Series | Home & Studio Recording, Dec 1984Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece. |
 Recording Techniques - Part 9Feature Series | Topic: Recording | Sound On Sound, Aug 1990Recording VocalsPart 9: The human voice is the most difficult instrument to record, bar none. David Mellor offers some practical guidance. |
 Classix NouveauxInterview | Electronics & Music Maker, Jun 1982Mik Sweeney talks about his guitars and Sal Solo describes how he is acquiring production skills. |
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 Strawberry Cutting RoomFeature | Topic: Mastering, Recording Studios, Tape, Vinyl, CD, DAT | Sound International, Mar 1979Nobody ever seems to think much about the art of disc-cutting: yet in reality the cutting-room is the final link in the chain that can really make or break your recording quality-wise. Ralph Denyer, therefore, takes some time out to talk to Strawberry's top cutting engineers, in an effort to demystify this vital area. |
 APRS Preview 1975Show Report | International Musician & Recording World, Jun 1975 |
 Fast ForwardNews | Home & Studio Recording, Nov 1986 |
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 Tales From the WoodInterview | Home & Studio Recording, Dec 1986Roy Wood risked burning the supper to bring us up to date on his career, his current activities and his method of working in the studio. |
Blackbushe '78 RevisitedGroup: Sound Reports & ViewsSound at the Blackbushe outdoor festival |
 Fostex 260Group: Recording WorldStudio TestThe long-awaited successor to the 250 is welcomed by Jim Betteridge |
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