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Home Taping: Tom RobinsonGroup: Recording WorldTony Reed gets Turbot charged |
Moving Up To Eight TrackFeature | Topic: Home Studio, Recording | Making Music, Feb 1987The problems and pleasures of home studio upgrading. |
APRS '83 Exhibition ReportShow Report | Electronics & Music Maker, Aug 1983UK's annual studio products event |
ShortcutsGroup: Quality Control |
Fast ForwardNews | The Mix, Dec 1994No hype, no waffle - just tomorrow's products todayA peek at what’s new |
Tape DatesFeature | Topic: Design, Development & Manufacture, Tape, Vinyl, CD, DAT | Making Music, Jul 1987Being a brief glance back at the fascinating history of tape recorders, from mono to digital |
Sennheiser HD230 HeadphonesReview | Home & Studio Recording, Feb 1984 |
At Home in the StudioFeature | Topic: Recording Studios | Home & Studio Recording, Feb 1986 |
PA/Recording NewsNews | In Tune, Oct 1985 |
Mark StanwayInterview | Electronics & Music Maker, Feb 1984Keyboards with Magnum and Phil LynottKeyboard player with Magnum, Mark Stanway has also worked with Phil Lynott. Here he talks about writing, recording and performing with one of Britain's brightest rock hopes. |
Tascam 644 MIDIstudioReview | Sound On Sound, Oct 1989David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644. |
Behind the ScenesFeature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why. |
Digisound Analogue Reverb KitReview | Home & Studio Recording, Aug 1984An appraisal of this popular, easy-to-build Analogue Reverb kit - a possible alternative to the spring-based devices? |
Yamaha RM804 MixerReview | Home & Studio Recording, May 1984 |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
How It Works: Multitrack - Part 8Feature Series | Topic: Recording | Sound On Sound, Mar 1988From the humblest of 4-track cassette recorders to the might of 48-track digital, multitrack is the technique used for 99.9% of all commercial recordings. David Mellor looks at the background to this powerful tool and wonders how we ever managed without it. |
Fostex A-8 RetrospectiveRetrospective (Gear) | One Two Testing, Mar 1986Classic retrospective re-evaluated |
Down the TubeFeature | Topic: Live, Video / Film / Picture | Home & Studio Recording, Jun 1986John Harris and Shirley Gray take a look behind the scenes to find out how the tube is recorded and how much planning is necessary to produce the apparent unrehearsed chaos that we all know and love. |
Pet SoundsReview | Recording Musician, Aug 19923G Mynah Mixing ConsoleMike Simmons tries out this cost-effective live sound console and finds it also has home studio applications. |
Aiwa AD-WX110E Tape RecorderReview | Electronics & Music Maker, Apr 1983 |
Sony Fontopia Mini Stereo EarphonesReview | Home & Studio Recording, Jan 1984 |
APRS Preview 1975Show Report | International Musician & Recording World, Jun 1975 |
Still Going Deaf? - Part 2Feature Series | Topic: Live | One Two Testing, Jan 1985earstrain part two |
Crossing over the tracksGroup: Control RoomDJ MixersA three-way test of DJ mixers |