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Home Studio Recording takes off!Editorial | Home & Studio Recording, Nov 1983 |
Studio ArchivesFeature | Topic: Buyer's Guide | Home & Studio Recording, Jun 1984Buying an old RevoxSpotlight on old recording devices. This month the Revox E36 tape recorder. |
Ramsa WS-A70-K Monitor SpeakersReview | Home & Studio Recording, Apr 1986These multi-purpose speakers can be used as studio monitors, PA speakers or instrument speakers. |
Production Lines - Stephen TaylerOpinion | Recording Musician, Dec 1992Stephen Tayler raises some interesting points about studio equipment design and the ergonomics of the studio workplace. |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Jul 1984Metronome StudioMetronome Studio. |
EditorialEditorial | Home & Studio Recording, Apr 1984 |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
The Drive behind the StarshipInterview | Home & Studio Recording, May 1986Craig Chaquico, lead guitarist for Starship and keen home recording enthusiast talks to Paul White about his studio. |
LeaderEditorial | Home & Studio Recording, May 1986 |
Aces BM1082 MixerReview | Home & Studio Recording, Jun 1985 |
NewsNews | Sound International, Jun 1978Studios And RecordingStudios And Recording; Instruments And Equipment; Etcetera. |
3G HP200 Power AmplifierReview | Recording Musician, Dec 1992A compact, well-specified amplifier suitable for studio monitoring and small PA applications. |
Teac A-3440Feature | Home & Studio Recording, May 19854 Channel Multitrack Tape DeckNow it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440. |
The Long and the Short of itReview | Home & Studio Recording, May 1986Mordaunt and Short MS25 LoudspeakersA pair of cost effective hi-fi speakers that might be just what you need in your home studio. |
The Stuff That Rooms Are Made OnFeature | Topic: Acoustics, Home Studio | Making Music, Mar 1987Find out how to direct the noise inside your room to better effect |
Planning Your First StudioFeature | Topic: Home Studio | Recording Musician, Oct 1992Everything you need to start recording at homeExactly what equipment do you really need to make a start in home recording? We take you through it, step by step. |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
Seck 1282 MixerReview | Sound On Sound, Sep 1986Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance. |
Multitrack Mixers - Part 1Feature Series | Topic: Mixing | Recording Musician, Feb 1993Sound WorkshopPaul White takes you on a guided tour of the features and facilities of a typical multitrack mixer. |
ACES B1816Review | Sound On Sound, Feb 1986Could it be the perfect match?Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300. |
EditorialEditorial | Home & Studio Recording, Aug 1984 |
Analysing the SpectrumReview | Topic: Acoustics | Home & Studio Recording, Aug 1985Audiosource RTA1 Spectrum AnalyserDave Simpson takes a break from counting his savings to tell you what he's spending it all on. |
Studio TestGroup: Recording WorldMini Monitors RoundupCurtis Schwartz puts five pairs of mini-monitors through their paces in a consumer test |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, May 1984Olivier Behzadi's Fostex A8-based studio. |