Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Powerful Stuff

Review | Sound On Stage, Nov 1996
Yamaha EMX3500 Powered Mixer

How It Works: the Noise Gate - Part 10

Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988

What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate.

Getting Teknikal

Review | Home & Studio Recording, Nov 1985

Messe Market!

Show Report | In Tune, Feb 1986

IN TUNE's sneak preview of the Frankfurt Fair

Metal, Machines & Music

Interview | Music Technology, Oct 1992

Die Krupps: hi-tech and heavy

Sounds Natural - Part 2

Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Sep 1987
The Clarinet

The second instalment of our series on programming and sampling the sounds of acoustic instruments. This month Howard Massey turns his attention to Acker Bilk's favourite: the clarinet.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Dec 1992
Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Music In Our Schools

Feature | Topic: Education | Recording Musician, Oct 1992
Putting It Together

The nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment.

Home is where the art is

Group: In Session

Interview | The Mix, Jul 1994

Someday, all home studios will be built this way - an exclusive survey

DAT's Life

Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1989

Confused about DAT? Vic Lennard guides you gently through the ins and outs, the pros and cons and the whys and wherefores of Digital Audio Tape.

Under New Orders

Interview | Music Technology, Apr 1994

More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward

The Professionals: APRS

Feature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988

In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios.

Sound Control: Alesis Quadraverb

Review | Sound On Sound, Mar 1989

Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.

Shape of Things to Come

News | Sound On Sound, Apr 1989

New products from the world of recording and synthesis are unveiled in glorious colour

How It Works - Loudspeakers - Part 7

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Oct 1987

Last month, David Mellor explained how loudspeaker drive units work and how manufacturers sometimes try to pull the acoustic wadding over our ears. Part 2 tells the story of how the loudspeaker works as a system, the reason for crossovers, and gives a couple of hints on how to make BIY (bodge-it-yourself) cabinets.

Roland R70

Review | Sound On Sound, Jun 1992
Human Rhythm Composer

Roland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement.

Wayne's World

Interview | Sound On Sound, Aug 1992
Mission In Action

Instead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so.

Japanese New Age Music

Interview | Sound On Sound, Nov 1986

At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about.

Summer 1990 NAMM Show Report

Show Report | Sound On Sound, Aug 1990

The Summer NAMM show may be losing some of its importance in the world arena but it didn't stop manufacturers from launching new products. Craig Anderton was there to check them out.

Yamaha REV7

Review | Home & Studio Recording, Oct 1985
Digital Reverb

This long awaited product is now available and offers first class digital reverb along with a host of stereo DDL effects.

Powertran PSI 4002 Amp

Review | Sound International, Dec 1978

George Chkiantz assembles his very own Powertran PSI 4002 amp. Now it's your turn.

The American Way

Show Report | Music Technology, Mar 1989
Winter NAMM 1989

Californian sunshine, sea and sand - with all this on offer, why should MT's intrepid reporters want to visit a trade show in Anaheim? Bob "El Bobo" O'Donnell, Chris "El Macho" Meyer and Dan "La" Rue have the answer.

Clarion: Home Studio System

Review | Music UK, May 1983

The CLARION Home Studio — Best yet cassette?

Inner Space

Interview | Music Technology, Jun 1992

Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology.

Sampling The Japanese Way

Review | Sound On Sound, Dec 1985
Akai S612 MIDI Sampler

A reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed.

 

muzines_logo_02

Small Print

Terms of usePrivacy