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How It Works: the Noise Gate - Part 10Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate. |
Getting TeknikalReview | Home & Studio Recording, Nov 1985 |
Sounds Natural - Part 2Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Sep 1987The ClarinetThe second instalment of our series on programming and sampling the sounds of acoustic instruments. This month Howard Massey turns his attention to Acker Bilk's favourite: the clarinet. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Oct 1992Putting It TogetherThe nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment. |
Home is where the art isGroup: In SessionSomeday, all home studios will be built this way - an exclusive survey |
DAT's LifeFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1989Confused about DAT? Vic Lennard guides you gently through the ins and outs, the pros and cons and the whys and wherefores of Digital Audio Tape. |
Under New OrdersInterview | Music Technology, Apr 1994More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward |
The Professionals: APRSFeature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios. |
Sound Control: Alesis QuadraverbReview | Sound On Sound, Mar 1989Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear. |
Shape of Things to ComeNews | Sound On Sound, Apr 1989New products from the world of recording and synthesis are unveiled in glorious colour |
How It Works - Loudspeakers - Part 7Feature Series | Topic: Sound Fundamentals | Sound On Sound, Oct 1987Last month, David Mellor explained how loudspeaker drive units work and how manufacturers sometimes try to pull the acoustic wadding over our ears. Part 2 tells the story of how the loudspeaker works as a system, the reason for crossovers, and gives a couple of hints on how to make BIY (bodge-it-yourself) cabinets. |
Roland R70Review | Sound On Sound, Jun 1992Human Rhythm ComposerRoland's R70, their new top-of-the-range beat box, is the first drum machine to feature on-board digital effects. Ian Steele sits in judgement. |
Wayne's WorldInterview | Sound On Sound, Aug 1992Mission In ActionInstead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so. |
Japanese New Age MusicInterview | Sound On Sound, Nov 1986At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about. |
Summer 1990 NAMM Show ReportShow Report | Sound On Sound, Aug 1990The Summer NAMM show may be losing some of its importance in the world arena but it didn't stop manufacturers from launching new products. Craig Anderton was there to check them out. |
Yamaha REV7Review | Home & Studio Recording, Oct 1985Digital ReverbThis long awaited product is now available and offers first class digital reverb along with a host of stereo DDL effects. |
Powertran PSI 4002 AmpReview | Sound International, Dec 1978George Chkiantz assembles his very own Powertran PSI 4002 amp. Now it's your turn. |
The American WayShow Report | Music Technology, Mar 1989Winter NAMM 1989Californian sunshine, sea and sand - with all this on offer, why should MT's intrepid reporters want to visit a trade show in Anaheim? Bob "El Bobo" O'Donnell, Chris "El Macho" Meyer and Dan "La" Rue have the answer. |
Inner SpaceInterview | Music Technology, Jun 1992Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology. |
Sampling The Japanese WayReview | Sound On Sound, Dec 1985Akai S612 MIDI SamplerA reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed. |
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