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Scout's Honour

Review | Recording Musician, Feb 1993
Dawn Scout Nearfield Studio Monitors

Honesty and integrity are what it's all about with these latest nearfield monitors from Dawn Audio. Paul White gives them a listen.

Strong stuff

Group: Control Room

Review | The Mix, Feb 1995
Samson MPL2242

Live/recording mixer

Hair raiser

Group: Control Room

Review | The Mix, Apr 1995
Samson Servo 150

Studio power for your monitoring

Fast Forward

News | Home & Studio Recording, Apr 1986
All the Fun of the Fair

What's new in the way of equipment including the latest from the Frankfurt show.

dB or not dB

Feature | Topic: Sound Fundamentals | Home & Studio Recording, Jan 1986
— Dat is de Question

Paul White does his level best to unscrew the inscrutable.

Ian Anderson

Interview | Home & Studio Recording, Nov 1983

Jethro Tull’s leading light opens the door to his new ‘home studio’.

On The Flight Deck at Terminal 24

Feature | Topic: Recording Studios | Sound On Sound, Oct 1986

If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers.

Adding to Advision

Feature | Topic: Recording Studios | International Musician & Recording World, May 1975

Technically Acute

Review | Home & Studio Recording, Oct 1986
Cutec Multirecorder

A very basic 4-track cassette multitracker for those who place sound quality above gadgets and frills.

Studio Scan

Feature | Topic: Recording Studios | Electronic Soundmaker & Computer Music, Sep 1985

Exclusive guide to recording electronic music

Industry Profile

Feature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1982
Allen & Heath Brenell

Crystal Voyager

Editorial | Music Technology, Dec 1989

As musical equipment evolves, so does the music that is made with it. But what of the musicians - how is their evolution determined by a microchip?

Star Quality

Review | Sound On Sound, Sep 1993
Studiomaster Star System Mixer

Is it an analogue modular synth? No! It's a mixer with a difference.

Basic Multitrack - Part 1

Feature Series | Topic: Recording | Sound International, Feb 1979

Readers may suspect that Richard Dean's lapses into metaphysical metaphor result from a peyote button every five paragraphs. Yet this first article in his new series is full of useful tips beyond mere sound-on-sound.

Urban decay

Group: Sound Advice

Feature | Topic: Acoustics, Construction / Build | The Mix, Jun 1995
Part wall

More DIY acoustics

Going Solo

Feature | Topic: Recording Studios | Home & Studio Recording, Jul 1985

David Yorath is one of those fortunate people who have turned their hobby of recording into a career. Paul White caught up with him at his studio.

Fostex R8

Review | Music Technology, Mar 1989
Eight-track reel-to-reel recorder

As 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance.

Studio Of The Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Nov 1985
The Workhouse Studios

The Workhouse schows Schwartz itsch schuperschtudios

The Ephos ethos

Group: Control Room

Review | The Mix, Nov 1994
Ephos 16:2 mixer

Compact desktop mixer

4-Top

Review | Sound On Sound, Nov 1993
Soundcraft Spirit Folio 4 Mixing Console

Soundcraft's ultra quiet mixer goes multitrack.

Fast Forward

News | The Mix, Jun 1995
No hype, no waffle — just tomorrow's products today

The latest products previewed

Which One Would You Choose?

Review | Topic: Recording | Sound On Sound, Mar 1988
Three 4-tracks

Is it possible to get expensive sounds from inexpensive equipment or is the poor person's multitrack merely an expensive toy? David Mellor looks at three entry-level recorders - Tascam Porta 05, Fostex X30, and Yamaha MT2X - and asks 'Which one would you choose?'.

Fostex MTC1

Review | Music Technology, Sep 1990
MIDI Time Code Controller

With sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase.

RAM Micro RM16 Mixer

Review | Home & Studio Recording, Jun 1984

Soundtracs MR Mixer

Review | Sound On Sound, Mar 1986

Multiple output devices like drum machines and sequencers are placing new demands on mixer manufacturers to come up with increased input channel desks. One of the first to respond are Soundtracs with a new range of recording consoles. Dave Lockwood tries out the 24/8/2/model.

 

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