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Roland D-50 - Part 1Review Series | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
Sequential Prophet 3000Review | Sound On Sound, Nov 1987Two years ago Sequential launched the Prophet 2000 sampling keyboard, which set the standard for all the 12-bit machines on the market. Will the Prophet 3000 stereo rack sampler do the same for the 16-bit field? Paul Wiffen thinks so. Read why... |
Casio SZ1 MIDI SequencerReview | International Musician & Recording World, Nov 1985SequencercheckCasio get further into the pro market, Chris Jenkins gets into their newie |
The Shape Of Things To ComeNews | Sound On Sound, Aug 1986A look at several of the more significant new products to be launched at this year's British Music Fair at Olympia. |
Roland S50Review | Music Technology, Dec 1986Digital Sampling KeyboardThe competition is tough for Roland's upmarket sampler. Paul Wiffen discovers if 16 voices, a fine keyboard, and direct monitor connection are enough to put it at the top of the tree. |
MIDI: The Next GenerationFeature | Topic: MIDI | Music Technology, May 1992The long-awaited inclusion of a protocol to allow MIDI control of multitrack tape machines is just one of the recent additions to the MIDI spec. Vic Lennard offers a MIDI update. |
Ensoniq SQ-80Review | Sound On Sound, Feb 1988Cross Wave SynthesizerThe onboard 8-track sequencer and sampled waveforms of the ESQ-1 make it a hard act for any manufacturer to follow. So what further features does Ensoniq's new SQ-80 synthesizer have that could possibly outshine its stablemate? Craig Anderton explores... |
Powertran MCS-1 Sound Sampler & Delay LineReview | Home & Studio Recording, Apr 1985 |
Fast ForwardNews | The Mix, Mar 1995No hype, no waffle - just tomorrow’s products todayTomorrow's hot products previewed |
Roland S10Review | Music Technology, Dec 1986Sampling KeyboardSimon Trask again, this time experiencing the simple delights of the budget Roland sampler. It's easy to use, but has the low cost brought too many compromises? |
MIDItemp PMM88Review | Sound On Sound, May 1990MIDI RouterMidi routing systems have come a long way since the humble passive thru box. Kendall Wrightson explores a sophisticated example of the species. |
Passport MIDI/4 Plus and MIDI/8 PlusGroup: Computer MusicianSoftware for Apple II and Commodore 64Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis. |
Pumping stationGroup: Control RoomStudiomaster Power House Vision 8Powered mixer with effects |
Hi-Tech XpansionReview | Electronics & Music Maker, Apr 1985As Yamaha's 'X' range of hi-tech hardware continues to grow, Dan Goldstein and Trish McGrath present an exclusive appraisal of two of the range's most affordable additions, the TX7 FM Expander and QX7 MIDI Keyboard Recorder. |
Software TrackingReview | Electronics & Music Maker, Sep 1986Steinberg Pro24 SoftwareSimon Trask looks at one of the first multitrack MIDI recording packages to be made available for the Atari ST series of computers. How does it compare to dedicated sequencers? |
Alesis MMT8 SequencerReview | Music Technology, Feb 1988The hardware sequencer to beat them all? After an overlong wait, Simon Trask gets to grips with the latest development in the Alesis World Domination plan. |
Kawai R-100 Digital Drum MachineReview | International Musician & Recording World, Nov 1986RhythmcheckA first entry into the market, and this high-spec, dynamic, tuneable machine could be a real threat to the established names. Tony Reed takes stock |
Something Old, Something New...Feature | Topic: Buyer's Guide, Vintage Instruments | Electronics & Music Maker, Jun 1986Secondhand Polysynth GuideWhether you can't afford to indulge yourself in this month's Polysynth Checklist or simply prefer something that's now out of production, E&MM's guide to things secondhand could save you a lot of time and trouble. |
System PowerFeature | Sound On Sound, Dec 1985In conjunction with the Chase Bit 01 Expander, Casio CZ-101 synthesizer and Akai Sampler, the Jellinghaus 12-Track MIDI Studio software for the Commodore 64 micro represents the most powerful compositional and recording set-up available under £2500. Mark Jenkins catches his breath and tells you why. |
Steinberg Pro 24Review | International Musician & Recording World, Oct 1986SoftwareCheckSometimes Musical Micro just ain't big enough to hold down a piece of really macho software... Tony Mills grabs a suddenly floppy disk, and enters the cage. |
Masters of the UniverseReview | Sound On Sound, Feb 1988Elka Master KeyboardsWith rack expanders forever dropping in price, the concept of one 'master' keyboard capable of controlling all MIDI devices in a system becomes more appealing by the minute. And with the MK88 and MK55, Tony Wride believes Elka have fulfilled the promise of MIDI and produced the ultimate master keyboards, jam-packed with features. |
Wersi MK1 SynthesiserReview | Music Technology, Nov 1986Polyphonic SynthesiserSimon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use? |