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Moog Source and Moog RogueReview | Electronics & Music Maker, May 1982 | |||
The Moog SourceInterview | Electronic Soundmaker & Computer Music, Jun 1985The father of modern synthesis talks exclusively to us about the new generation of sound creating instruments. | |||
Moog SourceGroup: Synth SpecialTwo oscillator 16 memory programmable mono with arpeggiator and sequencer | |||
Source Of InspirationRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, May 1989At the time Moog discontinued the Minimoog, they launched the first programmable monosynth to use digital parameter editing. Nick Magnus reflects on a synth that was ahead of its time but overlooked by most players. | |||
Moog MemorymoogReview | Electronics & Music Maker, Feb 1983 | |||
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Jul 1984Readers send in their own synth sounds and details of how to programme them. Among the instruments featured this month are the Moog Source, the Roland SH101 and the same manufacturer's Juno 106. | |||
InterfaceFeedback | Electronics & Music Maker, Apr 1983 | |||
Uncle Bob's BabyRetrospective (Gear) | Topic: Vintage Instruments | Electronics & Music Maker, Aug 1985The Minimoog in 1985By rights, the last of the Minimoogs should have been forced into retirement long ago — yet the ancient monosynth continues to see use. Tim Goodyer, long-time Moogfan and owner, takes a retrospective look at the worlds first practical synthesiser. | |||
Fact FileFeature | Electronics & Music Maker, Jun 1982George Duke, Ross Middleton, Salvator Mulligan | |||
Depeche ModeInterview | Electronics & Music Maker, May 1982In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands. | |||
When Is A Computer? - Part 3Feature Series | Topic: Computing, Digital Audio, Synthesis & Sound Design | One Two Testing, Jan 1984Part three. | |||
Vince Clarke’s Wall Of SoundInterview | Music Technology, Jun 1993Here’s your ticket to Amsterdam, Vince will meet you at the studio and show you all his favourite classic synths. A dream? No, a reality, thanks to Ian Masterson and Music Technology. Ian gets an exclusive guided tour around Erasure’s secret analogue powerhouse, just for you. You can almost taste the Amstel beer | |||
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1983Voltage Controlled Filters Part 2 | |||
When The Wave FormsInterview | One Two Testing, Nov 1982NAME: new album/new equipment/sound techniques/change of style/gig horrors... LIST | |||
Rhodes ChromaGroup: Synth Special50 memory computer based 16-note poly | |||
Jon LordInterview | Electronics & Music Maker, Aug 1982Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’. | |||
Chris Franke on SequencersInterview | Electronics & Music Maker, Mar 1983Tangerine Dream's rhythm man describes his sequencer set-up | |||
Concert ReviewMusic Review | Electronic Soundmaker & Computer Music, Jun 1984Volume isn't everything | |||
Dial-A-DreamReview | Sound On Sound, Mar 1986Roland Alpha Juno-1If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins. | |||
Roland Alpha Juno 1Review | One Two Testing, Feb 1986 | |||
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