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Return To Zero - Part 3

Feature Series | Topic: Recording | Home & Studio Recording, Apr 1985
Noise Reduction Systems

An explanation of the most common noise reduction systems in audio use, including Dolby A, B, C, and dbx.

XR-300

Review | Micro Music, Mar 1990

A Room Of My Own: Switzerland

Interview | Sound On Sound, Mar 1993

Getting The Most From A 4-Track

Feature | Topic: Recording | Making Music, Nov 1986
Better Recording

An A-Z of stuff that'll help you to get better sounds

Sequence Of Events

Feature | Topic: Sequencing | Phaze 1, Jul 1989

obtaining the best from MIDI sequencers

Tascam MTS1000 MIDIizer

Review | Sound On Sound, Oct 1990

As the prices of 8 and 16-track tape recorders have come within the reach of more users, synchronisers are becoming familiar, even essential, to an increasing number of people. David Mellor chases Tascam's new machine and midi synchroniser.

Town House Studio

Feature | Topic: Recording Studios | Sound International, Feb 1979

'Now the Virgin returns,' quoth Virgil, and who are we to disagree? Mel Lambert takes a colourful look at Richard Branson's new London studio: a Town House for the Lord of the Manor.

Studio Focus

Feature | Topic: Recording Studios | Home & Studio Recording, Nov 1983
Chipping Norton Recording Studios

Chipping Norton Studios.

The Tascam Way - Part 1

Review Series | Sound International, May 1978

The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit.

Computer Musician

Group: Computer Musician

Editorial | Electronics & Music Maker, Feb 1985

Suffering Lack of Creativity - a Doctor writes.

Sampling Techniques - Part 1

Feature Series | Topic: Sampling | Sound On Sound, Dec 1992
How To Get The Most From Your Sampler

Sounding Off

Opinion | Sound On Sound, May 1991
A MIDI User Knocks The Knockers!

A MIDI user knocks the knockers! Simon Sanders of Micromagic puts the case for leaving MIDI users alone to get on with making music.

XRI XR300 Synchroniser

Review | Music Technology, Jan 1988
SMPTE Synchroniser

Still on the sync track... Chris Jenkins sets the pace with a SMPTE/MIDI converter designed to give all the higher functions of SMPTE tape synchronisation without the higher price-tag.

Siel 16-track Live Sequencer

Group: Computer Musician

Review | Electronics & Music Maker, Feb 1985
Software for Commodore 64 and Spectrum

He was unimpressed by the same company's step-time MIDI package, but how does Steve Howell rate its real time equivalent?

The Shape Of Things To Come

News | Sound On Sound, Sep 1986

Another selection of brand new products about to be launched in this country.

Say It Loud!

Group: The SOS Guide To Going Live

Feature | Topic: Live | Sound On Sound, Mar 1992
Power Amps and Loudspeakers

The songs are good, the band is great, but no-one will be unpressed if they can't hear you properly. David Mellor advises on PA hardware.

Fostex 160 Multitracker

Review | Music Technology, Dec 1986
Four-track Cassette Recorder

A new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value.

Studio Of The Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Nov 1985
The Workhouse Studios

The Workhouse schows Schwartz itsch schuperschtudios

What Is Stereo

Feature | Topic: Sound Fundamentals | Making Music, Sep 1987

Black To The Future

Review | Home & Studio Recording, Nov 1986
Fostex 160 Multitracker

What can I say... it's black, it lights up... they've done it again — another winner.

How It Works - Digital Audio - Part 2

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Mar 1987

In the second instalment of our 'How It Works' series, engineer/musician David Mellor focuses on the operational principles of digital audio systems.

The Original Syn

Review | Electronic Soundmaker & Computer Music, Mar 1985
Synclavier

The updated Synclavier with new software. We take it for a test run.

How to set up a Home Studio - Part 6

Feature Series | Topic: Home Studio, Maintenance / Repair / Modification | Sound On Sound, May 1989
Patch Bay Layout

PART 6: Possession of a patchbay marks the difference between a conglomeration of miscellaneous equipment and a versatile working studio. David Mellor explains how to design your own patchbay layout.

Going Solo

Interview | Sound On Sound, Sep 1989

Until their recent split, Robert John Godfrey was the keyboard maestro behind The Enid, whose massive underground following throughout Europe made them arguably the biggest cult band outside of the States. Frank Ellis met him to talk about his new residential studio, a solo career, and a new approach to recording.

Lecture Report

Feature | Topic: Education | Electronics & Music Maker, Nov 1982
A Young Person's Guide To Electronic Music

The father of the voltage controlled synthesiser lectures in London, and E&MM reports.

 

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