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Return To Zero - Part 3Feature Series | Topic: Recording | Home & Studio Recording, Apr 1985Noise Reduction SystemsAn explanation of the most common noise reduction systems in audio use, including Dolby A, B, C, and dbx. |
XR-300Review | Micro Music, Mar 1990 |
A Room Of My Own: SwitzerlandInterview | Sound On Sound, Mar 1993 |
Getting The Most From A 4-TrackFeature | Topic: Recording | Making Music, Nov 1986Better RecordingAn A-Z of stuff that'll help you to get better sounds |
Sequence Of EventsFeature | Topic: Sequencing | Phaze 1, Jul 1989obtaining the best from MIDI sequencers |
Tascam MTS1000 MIDIizerReview | Sound On Sound, Oct 1990As the prices of 8 and 16-track tape recorders have come within the reach of more users, synchronisers are becoming familiar, even essential, to an increasing number of people. David Mellor chases Tascam's new machine and midi synchroniser. |
Town House StudioFeature | Topic: Recording Studios | Sound International, Feb 1979'Now the Virgin returns,' quoth Virgil, and who are we to disagree? Mel Lambert takes a colourful look at Richard Branson's new London studio: a Town House for the Lord of the Manor. |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Nov 1983Chipping Norton Recording StudiosChipping Norton Studios. |
The Tascam Way - Part 1Review Series | Sound International, May 1978The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit. |
Computer MusicianGroup: Computer MusicianSuffering Lack of Creativity - a Doctor writes. |
Sampling Techniques - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1992How To Get The Most From Your Sampler |
Sounding OffOpinion | Sound On Sound, May 1991A MIDI User Knocks The Knockers!A MIDI user knocks the knockers! Simon Sanders of Micromagic puts the case for leaving MIDI users alone to get on with making music. |
XRI XR300 SynchroniserReview | Music Technology, Jan 1988SMPTE SynchroniserStill on the sync track... Chris Jenkins sets the pace with a SMPTE/MIDI converter designed to give all the higher functions of SMPTE tape synchronisation without the higher price-tag. |
Siel 16-track Live SequencerGroup: Computer MusicianSoftware for Commodore 64 and SpectrumHe was unimpressed by the same company's step-time MIDI package, but how does Steve Howell rate its real time equivalent? |
The Shape Of Things To ComeNews | Sound On Sound, Sep 1986Another selection of brand new products about to be launched in this country. |
Say It Loud!Group: The SOS Guide To Going LivePower Amps and LoudspeakersThe songs are good, the band is great, but no-one will be unpressed if they can't hear you properly. David Mellor advises on PA hardware. |
Fostex 160 MultitrackerReview | Music Technology, Dec 1986Four-track Cassette RecorderA new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value. |
Studio Of The MonthGroup: Recording WorldThe Workhouse StudiosThe Workhouse schows Schwartz itsch schuperschtudios |
What Is StereoFeature | Topic: Sound Fundamentals | Making Music, Sep 1987 |
Black To The FutureReview | Home & Studio Recording, Nov 1986Fostex 160 MultitrackerWhat can I say... it's black, it lights up... they've done it again — another winner. |
How It Works - Digital Audio - Part 2Feature Series | Topic: Sound Fundamentals | Sound On Sound, Mar 1987In the second instalment of our 'How It Works' series, engineer/musician David Mellor focuses on the operational principles of digital audio systems. |
The Original SynReview | Electronic Soundmaker & Computer Music, Mar 1985SynclavierThe updated Synclavier with new software. We take it for a test run. |
How to set up a Home Studio - Part 6Feature Series | Topic: Home Studio, Maintenance / Repair / Modification | Sound On Sound, May 1989Patch Bay LayoutPART 6: Possession of a patchbay marks the difference between a conglomeration of miscellaneous equipment and a versatile working studio. David Mellor explains how to design your own patchbay layout. |
Going SoloInterview | Sound On Sound, Sep 1989Until their recent split, Robert John Godfrey was the keyboard maestro behind The Enid, whose massive underground following throughout Europe made them arguably the biggest cult band outside of the States. Frank Ellis met him to talk about his new residential studio, a solo career, and a new approach to recording. |
Lecture ReportFeature | Topic: Education | Electronics & Music Maker, Nov 1982A Young Person's Guide To Electronic MusicThe father of the voltage controlled synthesiser lectures in London, and E&MM reports. |