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Direct-To-Stereo RecordingFeature | Topic: Microphones, Recording | Recording Musician, Aug 1992Sound WorkshopPaul White shows how you can explore classic mic techniques using basic equipment. |
Muzix 81Group: Computer MusicianComposer & DrummerThis Sinclair ZX81 add-on will take control of your synth and drum machine. |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Analogue-To-Digital ConversionFeature | Topic: Digital Audio | Sound On Sound, Apr 1991Why isn't everybody happy with 16-bit sampling? Why are 20 bits better than 16? Kendall Wrightson looks at the technology in the latest generation of analogue-to-digital convertors. |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Double FeatureReview | Recording Musician, Mar 1993Fostex MC102 Keyboard Mixer/Cassette RecorderWhat a good idea — a stereo mastering cassette machine and a mixer in a compact rack package! |
Yamaha QX3Review | Music Technology, Oct 1987SequencerThe latest dedicated sequencer from Yamaha offers 16 tracks, extensive editing capabilities and a built-in disk drive. Howard Massey gives it a spin. |
12-Track Recording StudioGroup: Computer MusicianSoftware Surplus |
Making The Most Of... - Part 12Feature Series | Topic: Mixing | Home & Studio Recording, Apr 1986StereoA brief look at the difference between true stereo and panned mono with a few mixing hints thrown in. |
Fast forwardNews | Home & Studio Recording, Oct 1985The British Music FairWhat's new in the shops and what we saw at the fair. |
Soundcraft Spirit StudioReview | Music Technology, Jun 1991Mixing DeskAs more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury. |
HitSound Producer Series CDsReview | Sound On Sound, May 1992Coldcut, David RuffyWilf Smarties looks for the perfect beat in two new HitSound sample CDs, from production team Coldcut and drummer David Ruffy. |
GatesFeature | Topic: Effects Processing | Recording Musician, May 1993If you're swamped in hiss, then you may need this — the full SP on gates and their uses. But listen carefully: I may be asking questions. |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |
Yamaha MM10 Portable Mixer & MA10 Headphone Amp.Review | Home & Studio Recording, Aug 1984 |
Amstrad Studio 100Review | Micro Music, Aug/Sep 1989Eamonn Percival assesses the atributes of Amstrad's multi-track recorder |
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Oct 1992Putting It TogetherThe nitty gritty of choosing appropriate recording and sequencing equipment for use in a school environment. |
Cardiff University Electronic Music StudioFeature | Topic: Education | Electronics & Music Maker, Apr 1982If you are serious about electronic music, then you'll appreciate this study report. |