- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 401 - 425 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Studio Of The MonthGroup: Recording WorldAngel MusicTrynka trucks up to Hull, and hears the sound of Angels. Odd boy. |
News & EventsNews | Electronics & Music Maker, Jul 1983 |
The Answer Is SMPLReview | Sound On Sound, Jun 1986With more importance being attached to the benefits of a fully-integrated, synchronised studio set-up, Mark Jenkins checks out a new-to-the-UK chase synchroniser package imported by Audio Services of Stockport that is ideally suited to use with Tascam recorders and supports both SMPTE and MIDI. |
Making TracksReview | Home & Studio Recording, Dec 1986Tascam Porta TwoThis month's cover feature, the brand new Tascam Porta 2. Bristling with features, this 6-channel, 4-track portable studio still falls within an attractive price bracket. |
Clue DataReview | Sound On Sound, Nov 1985Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story. |
Making Tracks with the Vesta Fire MR1Review | Home & Studio Recording, Nov 1985A rack-mounted cassette multitracker for the home recordist. |
Recording Techniques - Part 17Feature Series | Topic: Mixing, Recording | Sound On Sound, Apr 1991The Mix (3)Part 17: The mix (3). There's so much to know about mixing and most of it can only be learned by experience. But a little knowledge can go a long way. David Mellor offers even more insights. |
Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
Silent PartnerReview | Recording Musician, Aug 1992Tascam 238S 8-TrackDave Lockwood checks out the first ever Dolby S cassette multitracker in this exclusive review. |
Tape DatesFeature | Topic: Design, Development & Manufacture, Tape, Vinyl, CD, DAT | Making Music, Jul 1987Being a brief glance back at the fascinating history of tape recorders, from mono to digital |
4 Channel Attenuator ProjectFeature | Topic: Electronics / Build | Home & Studio Recording, Jun 1984A simple-to-build project that lets you match the recording levels of your mixer and multitrack tape recorder. |
Sounding OffOpinion | Sound On Sound, Aug 1991Beating The BlockRowland Jones on how to beat writer's block when composing. |
Noise reduction exploredFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Sep 1983Studio Sound Techniques |
MIDI FilesFeature | Topic: Computing, MIDI | Music Technology, Jan 1989The recent development of the MIDI standard is designed to enable you to transfer your sequences from one sequencer to another. Anthony Widoff files a report. |
What Makes A Mike Right?Feature | Topic: Microphones, Recording | Making Music, Oct 1987Microphone Tips |
Groovy Train - Part 4Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Oct 1992The fourth part of our dance music series, with more drum patterns and basslines for you to programme yourself. |
Roland SBX80 Sync BoxReview | Electronics & Music Maker, Feb 1985If you've got a serious syncing problem, chances are the new Sync Box will be your best bet for a solution, as Paul White explains. |
How It Works: the Noise Gate - Part 10Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate. |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Inside Views: FairlightFeature | Topic: Design, Development & Manufacture, Sampling | Sound On Sound, May 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks sampling with Kim Ryrie, President of Fairlight Instruments of Australia. |
Tubular StealReview | Recording Musician, Apr 1993Drawmer 1960 Dual Valve CompressorValves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be. |