The Best Approach?

Yazoo for forty quid

Simon Croft gets into tape loops and comes up with some interesting conclusions.

Another piece of the MIDI puzzle

Making tracks with MIDI

The analogue versus digital argument - as seen by the man at the top.

A rundown on the various 'head' formats available on tape recorders and the reasons for their existence.

Progress is finally challenging the oldest studio tradition of them all: the use of magnetic tape for recording. As direct-to-disk systems become more desirable and more affordable is it time to revise our attitudes to recording?

Jones & Crossland, Birmingham.

Cliff Richard's latest single for you to play.

A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape.

The School of Sound Recording could be just what you need to put you on the right track and now you have an opportunity to win a free place on one of their courses.

The pro-standard SMPTE sync code is now working itself down to many semi-pro and amateur studios - but even the best systems bring their problems. Vic Lennard presents a SMPTE troubleshooters' guide.

How Recording Musician can benefit teachers involved in the technology of music and sound recording.

Courses for recording.

Flexible Response

Flexible Response in Bradford find a Flexible friend in Chris Maillard

A large mixing console can have literally thousands of knobs and switches. David Mellor explains how to use every last one of them - almost! Part 1 of 2.