- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 726 - 750 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates |
Dynamic Noise Filter Project - Part 3Feature Series | Topic: Electronics / Build | Home & Studio Recording, Feb 1985The third instalment of our series describing the design and construction of a high quality modular effects rack system. |
Sweet Dole MusicInterview | International Musician & Recording World, Dec 1986In the same job for seven years and Sax man Brian Travis is still employed playing that sweet dole music for the DHSS's longest-running success story. Marking his card: Paul Trynka |
Frankfurt Musik Messe 1984Show Report | Electronics & Music Maker, Feb 1984The largest event of its type in Europe, Frankfurt is the showcase for all that is new and innovative. This three page preview looks at some of the products that will be there. |
Assault On BatteryInterview | Home & Studio Recording, Dec 1986Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire. |
The MC-202 MicroComposerReview | Electronics & Music Maker, May 1983MicroComposing with RolandThe new MC-202 MicroComposer examined in depth |
Shape Of Things To ComeNews | Sound On Sound, Jul 1991Yet another selection of recently announced new products to whet your appetite! |
Simmons SPM8:2Review | Home & Studio Recording, May 1987MIDI Programmable MixerA programmable mixer that will find a good home in a home studio. |
Music & Pictures - Part 1Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Dec 1985An Introduction to the Art FormProducer/jingle composer Robin Lumley commences a new series that explores the role and function of music in the visual world. |
Aural Hygiene - Part 1Feature Series | Topic: Restoration / Archival | Sound On Sound, Dec 1993How To Keep Noise At Bay |
SCI Pro-FX 500Review | Electronics & Music Maker, Sep 1983 |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
The Main EventReview | Sound On Sound, Jan 1988RTL Event Sync BoxIt's that man again! David Mellor enters the mysterious world of timecode and stalks one of its new inhabitants - the Event timecode/MIDI processor from Real Time Logic. |
Synth ComputersGroup: Synth SpecialINPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN |
Tascam ATS500Review | Sound On Sound, Jun 1992Transport SynchroniserDave Lockwood checks out Tascam's ATS500 which is ideal for semi-pro musicians with an eye on the field of audio-for-video. |
Seck 1282 MixerReview | Sound On Sound, Sep 1986Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance. |
Digidesign Pro ToolsFeature | Sound On Sound, Jan 1992"It's Cruel To Make A Computer Work This Hard..."Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes... |
The Role of the Sound EngineerFeature | Topic: Recording | Sound International, May 1979Steve Hall bandies about words like involvement, commitment and encouragement as he argues that the engineer should take a more active role in the everyday process of recording. |
Home Taping Is Skill In MusicGroup: Recording WorldHansa BerlinHansa Berlin can produce quality demos on a Yamaha MT-44. Martin Moody got right on the case |
So You Want To Be A...Feature | Topic: Music Business | International Musician & Recording World, Apr 1985Label Owner.Jim Betteridge on how to sign yourself up |
Replicate or dieGroup: Mixing It! |
Mono Mode - Part 5Feature Series | Topic: MIDI | Music Technology, Dec 1986Getting the Most from... MONO MODEOnly one drum machine has so far been given an implementation of MIDI's multi-timbral Mode 4 - the Sequential Tom. Paul Wiffen reveals how it can be used. |
Vesta Fire SL-020 Dual Compressor/LimiterReview | Home & Studio Recording, Nov 1984 |
Central ControlReview | Electronics & Music Maker, Aug 1986Ensoniq ESQ1 PolysynthThe Mirage people announce a synth that uses analogue and digital technology, throws in a multitrack sequencer, and costs just over £1000. Paul Wiffen checks it out. |