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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
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Search results
 Sync ExplainedFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1989The title says it all... |
 The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Feb 1986Happy Christmas?!Tony Mills looks back at Xmas 85, to see whether what you got for it was worth getting |
ProblemsGroup: Bedroom Bouncedown - Home Recordingour answers to the common cassetting problemsour cures for common recording complaints |
 Hybrid Arts MIDITrack STReview | Music Technology, Jun 1987In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems. |
 Sounding OffOpinion | Topic: Computing, MIDI | Sound On Sound, Jan 1989Karl Steinberg & Mark BadgerCharlie Steinberg and Mark Badger define their concept of what should and what shouldn't be called a 'MIDI workstation'. |
 Alesis D4 Drum ModuleReview | Music Technology, Feb 1992Drum ExpanderYour drum machine used to dictate the sound of your music - but the variety of sounds in Alesis' drum expander gives you back your freedom. Tim Goodyer says everything starts with a D. |
 The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Sep 1985Featuring Alejandro Vinao and Richard Attree |
 Yamaha DMP7 Digital MixerReview | Sound On Sound, Jul 1987Digital Mixing ProcessorA fully automated, digital mixer with built-in multi-effects and full MIDI control for under £3,000? Hard to believe. David Mellor visits the Yamaha research and development centre in London to try out this amazing innovation in the flesh and discovers that the DMP7 is no fantasy! |
 World MachineInterview | Music Technology, Nov 1988Could you make music using only samples from natural sources? Paul Tingen talks to a band who've done just that in an attempt to draw attention to our environment. |
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 Roland Go WestGroup: Roland Newslink - Summer 1985 |
 Track Record: QueenGroup: Recording WorldJim Betteridge gives Mack the Knife |
 Tascam M1516 MixerReview | Sound On Sound, Jun 1992Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out. |
 Studio Sound Techniques - Part 6Feature Series | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Jul 1983Playback AlignmentTape Playback Alignment |
 Mixdown LowdownFeature | Topic: Mixing | Phaze 1, Jan 1989Demo Tape Disciplinethe final chapter reveals the tricks of the mix |
 Are All Those Microphones Necessary?Feature | Topic: Microphones | Electronics & Music Maker, Aug 1981Hi-Fi Supplement |
 Souper TrouperReview | Sound On Sound, Oct 1993Digital Soup Editing Software For The PCIt's very cheap and immensely powerful. Read our review to find out more... |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1989Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
 Alesis MidiverbGroup: Recording WorldStudio TestJim Betteridge opines on a resounding success |
 The Fairlight Explained - Part 9Group: Computer MusicianDelving ever further into the Computer Musical Instrument from down-under, Jim Grant samples the delights of Page 9's real-time sequencer. |
 Roland TR 505 Rhythm ComposerReview | International Musician & Recording World, May 1986RhythmCheckThe widest variety of sampled voices for the least money vet — Tony Reed tries out Roland's latest MIDI drum box |
 Reader ProfileFeature | Sound On Sound, Jul 1987Another two Sound On Sound readers reveal what they get up to with all their hi-tech gear. |
 Stereo SpeakersInterview | Music Technology, Apr 1993The Stereo MC's' Connected was for many the album of 1992; their live shows are currently one of the highlights of 1993. Phil Ward makes his own stereo connection and discovers just what it takes to get the balance right. |
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