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The Synclavier Story - Part 1Feature Series | Topic: Digital Audio Workstations | Music Technology, Jun 1989PART 1As Fairlight fight for survival the mighty Synclavier undergoes a dramatic upgrade. Chris Meyer takes us on the first of three tours of the new state-of-the-art Synclavier. |
Recording Techniques - Part 14Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Jan 1991EffectsPart 14: Effects, in the latest installment of his studio cookbook. David Mellor looks at ways to-make your recordings more tasty. |
Home Recording - Part 1Feature Series | Topic: Buyer's Guide | Music UK, May 1983Part 1 Nobby Line builds 8-track Tascam rig |
Datel Sound SamplerGroup: Computer MusicianHardware and Software for Sinclair SpectrumE&MM new-boy Simon Trask gets his teeth into a Spectrum-based sampling system that retails for no more than £50. |
Fostex X28Review | Sound On Sound, Dec 1991Cassette MultitrackerPolicemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28. |
Animal House StudiosFeature | Topic: Recording Studios | Sound On Sound, Jul 1988You may not find a 24-track recorder in this London studio, but you will find two synchronised Fostex E16s and a veritable Aladdin's cave of hi-tech paraphernalia being put to some very interesting uses. Read on and discover how... |
Secondhand TapingFeature | Topic: Buyer's Guide | Making Music, Jul 1987Recording GearThere are bargains in the land of non-new taping equipment, specially if you like unfashionable effects |
Patch WorksReview | Micro Music, Jun/Jul 1989Jez Ford patches things up with the audio routing system from 360 Systems |
Time To Get In-SyncReview | Sound On Sound, May 1986Fostex Synchroniser & Sync ControllerHaving familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex. |
Paris Music FairShow Report | Sound On Sound, Nov 1986Our roving reporter Mark Jenkins takes a look off the beaten track at some of the more interesting French equipment shown at last month's Paris Music Fair. |
Minds AliveInterview | Making Music, Jun 1987 |
The French ConnectionInterview | International Musician & Recording World, Mar 1985Tony Mills discusses sounds and concepts with the Frenchman who made instrumental synthesizer music respectable |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |
Touched By Your Presents, DearGroup: One Two Tidingswhat the famous want from St Nick |
Genetic EngineeringInterview | Music Technology, Apr 1992It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why. |
Yamaha SPX90 Effects ProcessorGroup: Recording WorldStudio TestA multitude of digital effects in a single box for only £600 |
Yamaha MT44 Cassette SystemReview | Home & Studio Recording, Nov 1983 |
Soundcraft Spirit AutoReview | Music Technology, Feb 1993Mixing ConsoleMix your Spirit - and stay in control |
Yamaha KX88/TX816Review | International Musician & Recording World, Apr 1985SynthcheckA remote keyboard and modules with frighteningly good sounds |
Mark of the Unicorn Professional ComposerReview | Sound On Sound, Nov 1986Software for Apple MacintoshOur resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Professional Composer', a music transcription program. |
Ohm Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, May 1985Nev Barker explains the workings of his private studio and why the name met with so much resistance. |