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NewsNews | International Musician & Recording World, Apr 1985The latest reports from the trade and prophet spheres |
Plasmec ADASReview | Sound On Sound, Nov 1991Digital Audio For The Atari STKendall Wrightson examines an inexpensive Atari-based tapeless recorder offering digital audio editing, plus MIDI controlled hard disk recording with Notator/Creator, Cubase/Cubeat or Virtuoso. |
Producers' CornerFeature | Topic: Arranging / Songwriting | Home & Studio Recording, Dec 1985Mark Fishlock expounds. |
Korg PSS50 Programmable Super SectionReview | Electronics & Music Maker, Jul 1984A novel 'backing band in a box' comes under Paul White's critical gaze. |
Nomad SMCReview | Music Technology, Aug 1987MIDI-SMPTE ConverterAs the price of SMPTE synchronising devices continues to fall, more and more home studios will be availed of their sophistication. Simon Trask checks out the latest breakthrough to find out it's not only cheap but British. |
Chris Andrews - ProducerInterview | Home & Studio Recording, Nov 1983 |
Smaller, Neater, Cheaper...Review | Sound On Sound, Mar 1992Fostex X18 Cassette MultitrackerFollowing in the footsteps of Fostex's X15, their new X18 offers the cheapest and simplest entry to 4-track recording. Dave Lockwood puts it to the test. |
Tascam Studio 8Review | Sound On Sound, Jan 1986Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance. |
Keeping the faithGroup: Control RoomTascam 488 MKIIRocking, reeling portastudio |
Peter Gabriel - PassionFeature | Topic: Recording Studios | Sound On Sound, Sep 1989Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex. |
The ProducersGroup: Recording WorldChas de Whalley chews the fat with Howard Grey, the young turk behind some of UB40's and Scritti Politti's finest moments |
AZ-TEC Micro-Module MicrophoneReview | Home & Studio Recording, Jun 1984 |
Yamaha Personal KeyboardsReview | Electronics & Music Maker, Apr 1984PS200, PS300, PS400The complete PS personal keyboard range put into a musician's perspective by Trish McGrath; surprisingly, the cheapest model turns out to be the best buy. |
Factory RecordsInterview | Music Technology, Sep 1993Oceanic interviewedMerseyside's pop trio on presets, jingles, Nirvana and 2 Unlimited |
Tascam V-700 Cassette DeckGroup: Recording WorldStudio TestJim Betteridge takes on the Tascam V-700 cassette deck and comes out impressed |
Roland MSQ100Review | Electronics & Music Maker, Feb 1985MIDI Digital Keyboard RecorderThere are still more computer-shy musicians around than many would have you believe, so for them, this dedicated MIDI sequencer could be just the ticket. Trish McGrath investigates. |
The Shape of Things To ComeNews | Sound On Sound, Feb 1987Another digital reverb from Alesis, a waveform digitizing pad for the Roland S50 sampler, Passport's multitrack software for the Atari ST, exclusive news of the world's first ever 8-track recorder to use standard cassettes, and more... |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jan 1985Blackpool-based band 'The Sensible Shoes' outline their working environment and techniques. |
War and Peace - Part 1Feature Series | Topic: Music Business, Tape, Vinyl, CD, DAT | Home & Studio Recording, Oct 1986More controversy and heated discussion on the subject of blank tape levies. |
Modular Synthesis - Part 3Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1984Bass Sounds |
Talkback - Part 2Interview Series | Sound International, Sep 1978Richard Elen's fact-extraction mission with engineer Phill Brown reaches its conclusion. |
Macintosh or Atari?Feature | Topic: Computing | Sound On Sound, Jan 1988Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs. |
Another Chapter In The Story...Interview | Electronics & Music Maker, Apr 1985Tired of lurking in the shadows of the contemporary music scene, Keith Emerson, one of the synth world's most influential figures, is now on the verge of re-forming ELP, the band that earned him his reputation. |
The ProducersGroup: Recording WorldDan Hartman takes Chas De Whalley to the US of AOR |
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