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Electro RecordFeature | Electronics & Music Maker, Feb 1982 |
Tascam Porta 05Review | Music Technology, Jan 1988Personal MultitrackerThe intrepid Nicholas Rowland continues his search for the ultimate in personal multitrackers; armed only with a blank cassette and a bedroom's worth of gear, he tackles Tascam's latest budget baby. |
Everything But The Kitchen... - Part 4Feature Series | Topic: Syncronisation | Electronics & Music Maker, Feb 1985We conclude our series on synchronisation by looking at Time Code and its applications in the video and music industries. Film editor Richard Atherton is your guide. |
Some Like It HardReview | Sound On Sound, Jul 1992Akai S1100 Version 2.0As if by magic, your S1100 can become a hard disk recorder, courtesy of Akai's latest upgrade. David Mellor leads his favourite sampler along the upgrade path. |
1987 SOS Hi-Tech AwardsEditorial | Sound On Sound, Jan 1988 |
MTR 12:8:2 MixerGroup: Recording WorldStudio TestJim Betteridge explores every nuance of the MTR mixer, but still doesn't reveal what MTR stands for |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Sequential Circuits Six Trak PolysynthReview | Electronics & Music Maker, Mar 1984This exciting six voice polyphonic synth comes under scrutiny. |
Fix it in the MixFeature | Topic: Sampling | Sound On Sound, Jul 1987With A Sampling KeyboardSampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use. |
EditorialEditorial | Electronics & Music Maker, Sep 1983 |
Hands On: Cassette MultitracksFeature | Topic: Recording | Sound On Sound, Oct 1992The multitrack cassette recorder provides an excellent platform for learning the essential skills of multitrack recording. David Mellor explains how to get the best out of them. |
C-Lab Unitor 2Review | Music Technology, Mar 1992Atari ST SMPTE Synchroniser/MIDI InterfaceSynchronisation made easy - for Creator/Notator users, at least. Tim Goodyer locks into C-Lab's integrated SMPTE synchroniser and MIDI expander for the Atari ST. |
Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |
MTR 6-4-2 MixerReview | Home & Studio Recording, Jun 1984 |
Recording Techniques - Part 15Feature Series | Topic: Mixing, Recording | Sound On Sound, Feb 1991The Mix (1)Part 15. David Mellor looks at how to create the perfect mix. |
Need A Helping Hand?Review | Sound On Sound, Feb 1986Dave Simpson discovers a remote control, autolocate and spare hand all in one compact unit - the QuPlay QP1. |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
MIDI ManReview | Micro Music, Jan 1990John Renwick gets synchronised with this nifty little device from Radius |
Setting The Record StraightInterview | Sound On Sound, Jun 1987Why has this top record producer - the man behind Culture Club's phenomenal success on vinyl - given up using the Fairlight in favour of a Steinberg Pro-24 system? Why is he so upset about the myths that surround digital recording? Ralph Denyer went along to Levine's new studio to find out... |