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The Lost ChordEditorial | Music Technology, Dec 1991Ever since it became possible to record music, it's been possible to lose "valuable" recordings. Tim Goodyer raises the question of responsibility. |
MIDI BasicsFeature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993MIDI-To-Tape SynchronisationMIDI-to-tape sync: why you need it, what it does and how you use it. |
Jon Lord Music SupplementFeature | Electronics & Music Maker, Aug 1982Jon Lord's 'Before I Forget'A fully detailed transcription of ‘Before I Forget', (including instructions for 4-track home recording), for solo keyboard with band, group or orchestra. |
The Shape of Things to ComeNews | Sound On Sound, Dec 1987Direct from the Far East, we bring you news of Yamaha's first 'pro' sampler, Roland's 16-bit digital reverb, Akai's low-cost digital multitrack and more... |
Alesis MidiverbReview | One Two Testing, May 1986Better than cheap frills, cheap reverb with no frills |
Sounding OffOpinion | Sound On Sound, Dec 1990Form Or Function: What Are We Paying For?Do manufacturers and distributors care too much about the appearance of products and not enough about performance? Paul Wiffen offers an insider view. |
EditorialEditorial | Home & Studio Recording, Dec 1983 |
4-TopReview | Sound On Sound, Nov 1993Soundcraft Spirit Folio 4 Mixing ConsoleSoundcraft's ultra quiet mixer goes multitrack. |
Making the Most of... - Part 14Feature Series | Topic: Arranging / Songwriting, Effects Processing, Mixing, Sampling, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1986Your Paul Hardcastle Aspirations!Steve Howell takes up his razor blade once again and explains the basis for extended remixes. |
Music & Pictures - Part 4Feature Series | Topic: Composing for Business, Syncronisation, Video / Film / Picture | Sound On Sound, Mar 1986We've now reached Part 4 where Robin Lumley surveys the technology of syncing sound and vision. |
Soundcraft Series 200 8-4-2 MixerReview | Home & Studio Recording, Feb 1984 |
Paradise Re-FoundFeature | Topic: Recording Studios | Sound On Sound, Feb 1989Southlands StudioPaul Ireson goes in search of paradise and finds it in the newly renamed and refitted Southlands Studio in Chiswick, London. |
One Over The Eight?Review | Electronic Soundmaker & Computer Music, Sep 1985Tascam 388A ‘portable’ 8 track recorder/mixer |
SCI Multi-TrakReview | International Musician & Recording World, Apr 1985SynthcheckThe professional successor to the Six-Trak meets Curtis Schwartz |
Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1985The Power of the FloppyFeeling floppy? Tony Mills slips a disk into his drive |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Feb 1985Reader Mark Lowman tells of his X-15 exploits. |
On TapeIndex Audio | Electronic Soundmaker & Computer Music, Mar 1985 |
On TapeIndex Audio | Electronic Soundmaker & Computer Music, Nov 1984 |
Boss SBX-10Review | Home & Studio Recording, Jun 1986This little brother to the SBX-80 overcomes a host of syncing problems. |
Digital Audio WorkstationsFeature | Topic: Digital Audio Workstations | Sound On Sound, Apr 1988The coming of age of the Digital Audio Workstation has implications that go far beyond being simply another item of interest to electronic musicians. Craig Anderton brings us up to date on what’s happening at the top-end of the professional recording world and how it will affect us mere mortals. |