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The Lost Chord

Editorial | Music Technology, Dec 1991

Ever since it became possible to record music, it's been possible to lose "valuable" recordings. Tim Goodyer raises the question of responsibility.

MIDI Basics

Feature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993
MIDI-To-Tape Synchronisation

MIDI-to-tape sync: why you need it, what it does and how you use it.

Welcome

Editorial | Sound On Sound, Aug 1991
Pretending To See The Future

Jon Lord Music Supplement

Feature | Electronics & Music Maker, Aug 1982
Jon Lord's 'Before I Forget'

A fully detailed transcription of ‘Before I Forget', (including instructions for 4-track home recording), for solo keyboard with band, group or orchestra.

The Shape of Things to Come

News | Sound On Sound, Dec 1987

Direct from the Far East, we bring you news of Yamaha's first 'pro' sampler, Roland's 16-bit digital reverb, Akai's low-cost digital multitrack and more...

Alesis Midiverb

Review | One Two Testing, May 1986

Better than cheap frills, cheap reverb with no frills

Studio Glossary

Feature | Home & Studio Recording, Dec 1983

An explanation of terms.

Sounding Off

Opinion | Sound On Sound, Dec 1990
Form Or Function: What Are We Paying For?

Do manufacturers and distributors care too much about the appearance of products and not enough about performance? Paul Wiffen offers an insider view.

Editorial

Editorial | Home & Studio Recording, Dec 1983

4-Top

Review | Sound On Sound, Nov 1993
Soundcraft Spirit Folio 4 Mixing Console

Soundcraft's ultra quiet mixer goes multitrack.

Making the Most of... - Part 14

Feature Series | Topic: Arranging / Songwriting, Effects Processing, Mixing, Sampling, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1986
Your Paul Hardcastle Aspirations!

Steve Howell takes up his razor blade once again and explains the basis for extended remixes.

Music & Pictures - Part 4

Feature Series | Topic: Composing for Business, Syncronisation, Video / Film / Picture | Sound On Sound, Mar 1986

We've now reached Part 4 where Robin Lumley surveys the technology of syncing sound and vision.

Macromedia SoundEdit Pro

Review | Sound On Sound, Nov 1992
Mac Digital Audio Software

Cutec MR402

Review | Electronics & Music Maker, Jun 1983

Cassette-based recording

Soundcraft Series 200 8-4-2 Mixer

Review | Home & Studio Recording, Feb 1984

Paradise Re-Found

Feature | Topic: Recording Studios | Sound On Sound, Feb 1989
Southlands Studio

Paul Ireson goes in search of paradise and finds it in the newly renamed and refitted Southlands Studio in Chiswick, London.

One Over The Eight?

Review | Electronic Soundmaker & Computer Music, Sep 1985
Tascam 388

A ‘portable’ 8 track recorder/mixer

SCI Multi-Trak

Review | International Musician & Recording World, Apr 1985
Synthcheck

The professional successor to the Six-Trak meets Curtis Schwartz

Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Jun 1985
The Power of the Floppy

Feeling floppy? Tony Mills slips a disk into his drive

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Feb 1985

Reader Mark Lowman tells of his X-15 exploits.

Spring in the Air

Review | Home & Studio Recording, Jan 1986

A budget spring reverb from JHS.

On Tape

Index Audio | Electronic Soundmaker & Computer Music, Mar 1985

On Tape

Index Audio | Electronic Soundmaker & Computer Music, Nov 1984

Boss SBX-10

Review | Home & Studio Recording, Jun 1986

This little brother to the SBX-80 overcomes a host of syncing problems.

Digital Audio Workstations

Feature | Topic: Digital Audio Workstations | Sound On Sound, Apr 1988

The coming of age of the Digital Audio Workstation has implications that go far beyond being simply another item of interest to electronic musicians. Craig Anderton brings us up to date on what’s happening at the top-end of the professional recording world and how it will affect us mere mortals.

 

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